Rush (2013)

130910155412-rush-movie-poster-horizontal-galleryRoze-Rating: 5 / 5

Rush is based on the true rivalry between Formula 1 drivers James Hunt and Niki Lauda during the racing season of 1976. It’s a story about two sportsmen with different outlooks on life and racing. Despite their seeming hatred of each other, there’s one thing that set’s them apart from other rivalry’s, they respect the effect it has on their lives.

What makes this film great is the attention to detail given to make this true story as real as possible on the big screen. If you are unaware of this rivalry and Formula 1 in general then I wouldn’t advise to go looking up the story. For me, not knowing anything about these two guys made it a much more thrilling watch. Your constantly wondering how far these drivers will push themselves to win, and whether or not they will go too far. It definitely makes that last race an edge of the seat moment. After the film though, having done some research and youtube-ing, it’s quite remarkable how much detail went into this film. From the costumes to the accents, almost everything about this film is spot on. Of course parts of the film are dramatized but it’s essential to telling this story as effectively as possible.

The casting is great, as a result of this we get two of the best performances of 2013. Chris Hemsworth and Daniel Bruhl don’t only look like the famous drivers they are portraying but sound like them too. Hemsworth captures the bad boy persona of James Hunt perfectly, with a you-only-live-once swagger. You buy into his character because he doesn’t race because of the lifestyle it brings, he races because it supports the lifestyle he lives. He respects the dangers of F1, therefore sympathizing for the men that get into accidents every season. Niki Lauda of course is the complete opposite. Bruhl presents Lauda as a cold, calculated racing driver, always acting on statistics and not emotion. If a fellow driver spins out or crashes, he shows no compassion but criticize their technique. He may sound like an antagonist but his conflicting behavior between winning and actual happiness gives us a reason to care for this character.

The cinematography is brilliant throughout the film, giving us the perspective of the driver during these relentless races. It makes the racing scenes more of an adrenaline inducing experience. As for it’s overall look, the shiny shades of orange and colour filtering make it great to look at. It feels as if we are in the 1970s as well as watching a documentary about it. Everything from the camera angles and the colours used to the back commentary and interviews.

It’s definitely one of the best rivalry stories I’ve seen on film. I like how the story doesn’t make the rivalry dirty or unpleasant but rather inspiring for both drivers. They use it as a way to push each other harder, a way to learn from each other and ultimately a way to feel alive. During the journey of the season, we realize that there’s a lot more respect within the rivalry than we think. That’s what makes the final scene quite a compelling moment.

Filth (2013)

Filth 1Roze-Rating: 4.5 / 5

As the title would suggest this film is drenched in filth. Bruce Robertson (James McAvoy) is a corrupt Scottish detective with an addiction to sex, drugs and alcohol. With a possible promotion on the horizon we see him parade about partaking in what he calls “games” in order to undermine and manipulate his competition, instead of solving a recent murder which could actually get him the promotion. What follows is a darkly comedic series of events which bring out Robertson’s deeper problems which could explain why he acts the way he does.

Filth is one of those films that only the British could execute with perfection. Mostly because I can’t think of a nation which could make talking about the statistics of fellatio as hilarious as the Scottish. This is a film that takes dark humor to the brink of acceptable as we see Robertson blackmail a minor for oral then comparing her to a cheese grater seconds into it. Despite everything wrong about this character, we’re still intrigued by him. He may be a disgusting man but all we need as an audience to not be completely repelled by a character is a glimmer of human emotion. This gives us enough hope to root for a character, and for Robertson there’s enough hurt there for us to at least suspect a chance for this character to change.

That glimmer of hope comes from small subtle hints that he was once a family man, but due to certain circumstances they are no longer around. He uses the drugs, sex and alcohol to repress those hurt feelings. Once this becomes more evident about half way into the film, we start to understand Robertson and why he’s become addicted to all these substances. Props to James McAvoy for a committed performance executing Robertson’s development from mad to completely mad with conviction. A performance which is weirdly familiar to Trance, although that character develops in the opposite way. We see him as a normal person until the end where his fragility is exposed. What is similar between these characters is that we change our opinions on them right at the end. That’s what makes this film so great, it’s one of the better character pieces of recent years.

On top of the engaging narrative, we’re presented with a film that looks great and has an awesome soundtrack which gives Robertson a rock star persona. It also doesn’t fail to continually shock and surprise us with gross out humor and a deep look into a broken character. It’s larger than life and never slows down. Where it wont disappoint, is how much fun you’ll have watching it.

The Secret Life of Walter Mitty (2013)

THE SECRET LIFE OF WALTER MITTYRoze-Rating: 4 / 5

Ben Stiller returns to the directors chair with this remake of short story adaptation of the same name. If trailers could win awards (can they?) then The Secret Life of Walter Mitty would win hands down, but because of that it may have left some viewers disappointed. As for me, it was everything I thought and wanted it to be. I didn’t expect it to be deep or emotional, if there was something I knew it would be, it was fun. As for viewing experience it totally did it for me, this is my perfect film for those time’s I feel wanderlust or just bored with life. That being said, maybe with a bit more finesse and fine tuning of the characters and the development of the story, it could have been something really special.

Walter Mitty (Ben Stiller) is just your average Joe stuck in a trance called life. Not the thrills of it but the repetition of it. Ironically Life magazine is where he works. He’s quiet, polite and in the shadows. Initially when first introduced to his place of work, we wonder how a man that works in such lively conditions could be as stuck as he is. Until we actually see where he works; a dark, cluttered space with only his subordinate as company. The film truly starts with a bang as we’re introduced to his first zone out while talking to an employee of a dating website. He spectacularly jumps off a bridge into a building window in order to bravely save the dog of the woman of his dreams (Kristen Wiig) before the building explodes. It’s a great opening, capturing just how imaginative Mitty can be, and honestly haven’t we all done that before? To get the synopsis out of the way, what finally encourages Mitty to take that leap of faith and live his fantasies is a lost negative, taken by loyal photographer Sean O’Connell (Sean Penn).

There’s a lot I love about this film, the cinematography, music, locations and characters. First of all Mitty is one of those guys that we can all relate to. He wants to get out and explore the world but just can’t seem to do it. Maybe he feels he’s past that time and now he should be sticking to other commitments like his job or maybe he’s just scared of what he might find. That’s where we can identify ourselves in him. There’s moments where we should feel sorry for Walter but we don’t fully give into it because we know he has it in him. Just like most of us we aren’t aware of our potential either until we truly test ourselves. I think as a character he’s someone you can easily care about which is important in films. All this is of course due to Ben Stiller’s honest depiction of him, definitely his best performance in a while.

I’d also like to mention Kristen Wiig’s performance, it was actually so refreshing seeing her play such a normal character for once. Usually she takes on these oddball characters with eccentric personalities and what not, but watching her just tone it all down for a more real character was quite pleasant.

The locations are absolutely stunning given justice by the cinematography. From start to finish the film is filled with great shots and smart transitions, utilizing the camera at its best. For an actor who stars in a lot of comedies with silly humor and story lines, he sure has an eye for a great looking film. Ultimately that’s what makes this film so entertaining. We’re absorbed in vast scenery and its lush colours, making us slightly envious of Mitty. As for the sound track, any film with Rogue Wave in it will be in my good books.

The only negative I would say about this film is the comedy. When intended to be funny it produced laughs from me and the people around me but I felt some of the jokes just didn’t fit the tone of the film. It’s such a minor thing but you can definitely see some of Stiller’s influence with certain jokes. I like his films and his brand of humor but in terms of the films overall tone, the more satirical and indie jokes fitted in more than the mainstream ones. To be honest it didn’t bother me that much, it was just something that I noticed affected the film a little bit.

I can understand why critics were so split with this film. In terms of emotional substance, The Secret Life of Walter Mitty doesn’t produce much of it. There’s quite a few avenues that could have been explored a tad more, like love, growth and the meaning of travel. They are definitely present but for those viewers hoping for a little bit more, they may be left disappointed. In my opinion I like how light hearted it is. I didn’t want it to have moments which would bring the film down, I wanted it to be fun and charming and that’s what it delivered. I had a smile throughout most of the viewing and I think that says a lot about how much of a feel good film this is.

Favourite Moments in Film (2013)

in review Since I’m still waiting to see the likes of American Hustle, The Wolf of Wall Street, Lone Survivor, etc. Basically all the films that came out in December last year, I can’t make a legit top ten list because I know that some of those will be awesome. Of course those films may house a few more favourite moments for me but I can always add to the list. This is purely off the top of my head moments that stayed with me throughout the year.


Don Jon indulging in adult films.

I think I liked the skinny Joseph Gordan-Levitt better; this one scares me a bit. Every time that Mac startup sound would come on, we knew instantly to associate it with his “me time”. What would follow were scenes of porn stars getting it on and narration which gradually consists of denial. At first his train of thought is incredibly true to men and their expectations of women because of adult films, which for men would be a relatable thing to laugh about. As the film progresses and he becomes more aware of his overindulgence, the denial in his narration is quite genuine to addiction as he tries to justify his actions. It’s both funny and spot on. Honorable mention to Scarlett Johansson, just when I thought she couldn’t get any sexier.

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James Franco and Danny McBride arguing about jizz.

Why is this one of my favourite moments in film? Because I find nothing funnier than sperm humor, I don’t know why I find it funny but I do. I was having a think about James Franco before seeing this film in the cinema and was wondering why there’s so much hype around him, yes he’s a sexy guy but he’s only starred in a few critically acclaimed films. After seeing him partake in a jerk off gesture battle with Danny McBride, I now understand why he’s awesome. “I will fucking come right on you! I will cum like a fucking mad man all over you McBride!”

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Sandra Bullock’s spaceship getting destroyed by oncoming debris.

Having not seen the trailer for this film before watching it, I had gone in expecting 127 Hours but in space. Of course I left having experienced more thrills than I was expecting and it was awesome. That first scene where Bullock’s spaceship gets destroyed by debris was probably the most thrilling scene I had seen of the year. The realism in silence and zero gravity made for an edge of the seat opening with only the intense score and hard breaths of Bullock to be heard. From then on I knew it was going to be special and daym it was.

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Villains of Franchise films.

2013 housed some of the best villainous quotes I’ve ever heard, therefore resulting in me reciting them whenever the opportunity arises. Michael Shannon went for intensity after his character General Zod was sentenced to a black hole for the murder of members of Krypton’s council and Jor-El.  Before being imprisoned in space, Zod makes his revenge plot very clear repeating that he will find Cal-El (Clarke), eventually letting out the most epic “I will find him!”; so good. Benedict Cumberbatch takes two of the most memorable quotes this year. One being from Star Trek: Into Darkness and the other from The Hobbit: The Desolation of Smaug. Once escaping the Enterprise, Khan (Cumberbatch) negotiates a way to get his family back but in the most badass way possible leaving no leverage for Spock to play with. After telling Spock that he will walk over his dead corpse to retrieve his family he asks quite ominously “now shall we begin?” sends shivers down my spine. Lastly during one of the best cliffhangers of the year but ultimately most annoying endings to a film, an angered Smaug looks to make a point. As he flies towards Lake-Town with the intentions of destroying it and its people, Smaug growls “I am fire. I am death!” with no remorse; C’mon! Can’t end there.

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Ryan Gosling sticking his hand in his mother’s womb (on screen).

Initially I thought “wtf”, actually during most of the film I was thinking that, but watching it again most of it made sense. After getting some perspective about the themes and what the film is ultimately about it became one of those most disappointing films turned surprisingly good films of 2013. Of course some of it is gratuitous but this scene seemed too deliberate to be meaningless. In the end I came across a comment about it and it made so much sense. Her womb was the only place Gosling’s character ever felt his mothers warmth, paraphrasing but that’s what the comment said. That perspective gave so much meaning to the scene, and what was originally kind of icky turned beautifully deep.

Emma Watson and her sexy tongue.

My main problem with The Bling Ring was that it didn’t have a clear message, especially when it seemed like a great opportunity to have one. All it did was tell these kids story in an honest fashion, but then I realized maybe that’s what the purpose of the film was. It lets us judge them for ourselves; we can either blame their materialism or the society they live in which encourages it. To make a film which judges them would not be fair but would also feel preachy especially when none of us really know them as people. I enjoyed the film but it didn’t do much for me emotionally. Nevertheless we get to see my celebrity crush Emma Watson act spoiled and dance sexy, therefore her cheeky tongue dance was one of my favourite moments in film this year (perv alert).

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Dwarfs helplessly floating downstream in barrels while fending off Orcs.

I was in the cinema not long ago watching this and this scene was probably the most enjoyable scene of the year. Seeing one of the dwarfs bounce out of the river and roll down hill taking out Orc’s along the way, erupted excitement and laughter within the cinema; which only aided the hilarity of this masterfully crafted scene. It was what I was looking for in such a fantasy driven story and it delivered.


Sam Rockwell and his wisdom.

The Way Way Back was one of those films I knew was going to be good, yet it still surprised me. It’s such a simple film, nothing over the top happens and its simplicity is what makes it an endearing watch. We have relatable characters who we can root for and moments of humor which stops it from getting too serious. I loved the relationship between the kid with the lazy eye and his mother. We’re probably supposed to hate her for the jokes she makes but because it comes from the right place and humor is taken out of it, they’re probably the most lovable characters. Ultimately it’s that relationship that our protagonist is seeking from his mother. But my favourite moment is when Sam Rockwell tells the protagonist “you have to go your own way”, it’s such a simple quote, but something about the performance, the setting, the sun-rise, everything, hit me where it matters. I’ve watched this film twice now and that moment hit me with the same effect both times.

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Paul Rudd and Emile Hirsch f*cking shit up on the job.

Prince Avalanche was one of those unexpected gems for me. It’s a beautifully shot film with a couple of hilariously charming leads. What ultimately won me over though, was its score, definitely my favourite score of the year. There’s one scene towards the end which explores catharsis at its most ultimate form. Getting drunk on the job and destroying all the equipment you have with the best background music you could ask for. I could watch that scene hundreds of times. It’s such a great way to bond, I gotta have a go at that.


Ryan Gosling turning from cop to gangster.

Bad guy: “You can’t shoot me, you’re a cop”, Gosling: “Not any more…” (BANG). Gangster Squad may be one of my most disappointing films of the year, but it didn’t fail to give you Goosebumps in the dialogue department. Yes it’s cheesy but we can’t say no to badassness. That scene was the epitome of badass, the defining moment of Gosling’s destiny in that film, there on out we are given a number of Gosling at his most intense. I mean that scene where he pours acid on that guy’s crotch, “where is it!!!” We also get to see Emma Stone at her most fabulous but I go on for hours about that. Ultimately my bias towards the cast is what made me like the film’s direction. If those actors weren’t there then maybe I’d think differently, nevertheless it’s fun and extremely entertaining. tumblr_m3s9ktyaW41qzhglpo2_500


Shailene Woodly, Miles Teller and their on-screen chemistry.

You won’t get many films as genuine as this. The Spectacular Now has one of the most realistic portrayals of teen romance I have ever seen; from the room introductions (always awkward) to the first kiss and the aftermath (also awkward). It’s as relatable as it gets and because of that you connect with the characters. This is all down to the brilliant performances of Shailene Woodly and Miles Teller who are just awesome in this film. It’s a film that takes you by surprise and forces you through a number of emotions. It starts off light hearted and fun then hits you hard with emotional substance. Watch it and you will be rewarded.

Runner Runner (2013)

runner-runner-review-photoRoze-Rating: 2.5 / 5

Richie Furst (Justin Timberlake) used to have a job on Wall Street until the economic meltdown forced him out of the business. To make his way back up to a high paying job again, he refers university students to an online gambling website to finance his masters degree. After getting caught and threatened to be kicked out of Princeton, Furst carelessly bets his money away on an online poker site with hopes of gaining enough winnings to pay his tuition fees. He soon discovers that he had been beaten unfairly and goes straight to the source to rectify it, Ivan Block (Ben Affleck).

Runner Runner was probably the longest hour and a half film that I’ve sat through this year, which says a lot. It’s disappointing as the film has a promising premise. The opening initially set up the potential for a decent flick but its intelligent characters ultimately didn’t fit in with the shallow narrative.

The film could have been genuinely thrilling as it had the ingredients for an explosive thriller. It had interesting characters and an uncommon premise. But the film feels bland as it has no particular direction or form of development. Ultimately it’s a film telling a series of events. What it needed was more emphasis on Richie and even Rebecca (Gemma Arterton), as the film covers the themes of greed and entrapment within the criminal world. They grow as characters but Runner Runner doesn’t even explore these themes or even the development of these characters. In the end we don’t really know who Richie is.

He’s obviously attracted by the prospect of high finance and because of that he doesn’t do the most ethical things. Although he believes in fair gaming in the business sense and is also a business wiz, yet we see him partake in immoral forms of business negotiations. There’s contradictions in his values because of money. So I was expecting some form of change from his character once sh*t got real, but only until he sees his life in danger does he change, but that’s a totally meaningless reason. The only meaningful moment in the film is when Richie’s dad tells him to leave him behind since he’s been a “dead man walking for 15 years”. That is the only defining moment where Richie realizes greed’s negative effect. But by that time, it’s way too late.

The only positive within this film is Gemma Arterton (duuh) and the locations. Both are stunning and sun kissed. The cinematography is colourful and glossy which make’s Runner Runner easy on the eyes. That being said we should have seen more of Arterton, not because she wears those dresses flawlessly (probably accounts for quarter of my rating) but because I think her character could have had a bigger impact on the story. Though it still would have taken more to improve this flick.

The Spectacular Now (2013)

82be1a35bdd197cdb228bea4120f7e72Roze-Rating: 5 / 5

Every year I watch a shiz load of films, ranging from the brilliant to the utterly terrible, but there will always be that odd film that some how finds its way to me and strikes the sweetest G-Chord within my heart. The Spectacular Now is that film for me of 2013.

Ever since The Descendants I knew I was an instant fan of Shailene Woodley and had been waiting to see her follow up film for quite a while. And what a film. Just as The Descendants was, this film is down to earth and totally real. Miles Teller plays Sutter Keeley, a kid on the brink of adulthood. We meet him as he struggles to begin his college application, unsure of how to put his life into words. He seems like he has his sh*t together as we indulge in his large personality and his way of words, but once we’re exposed to his constant alcoholism we know something is up. What makes this such a relatable film is Sutter’s predicament. He’s lived in the now for all his life and has struggled to do anything productive with it. He may have heaps of fun but during a time of his life where a future plan matters he becomes stuck. His girlfriend dumps him for the pure reason that he has no ambition. Then Shailene Woodley’s character Aimee Finecky comes along and gives him a bit of a pick me up. Aimee is the complete opposite of Sutter, she’s down the chain on the social ladder and has dreams of finally leaving for college although stunted by her mother. Sutter befriends her in the hope of helping her out.

There’s films out there which make you wanna cry because devastating stuff happens in them with that sole outcome in mind, but then there are some films which make you wanna cry because you connect so much with the characters and the films themes that they are more tears of inspiration than sympathy. I wont lie, by the end of the film I felt quite emotional. It was odd because I’ve never felt so emotional for such a character triumph. Something so simple yet profound. I’m at a similar time in life as this Sutter kid which is why it probably felt so relatable, and because of that I may have left the film slightly a better person.

What I like about this story is that there’s no defining character that helps grow Sutter. From watching past coming of age films there’s usually a father figure or someone that can be looked up to who knocks some inspiration into our lost soul, but in this film, it took getting to his lowest point to finally grow. Sure there were characters along the way which were important but at the end of the day if you can come to terms with your problems then you can look for a solution. That’s what makes the final scene so good, it’s ambiguous but does it really matter? (You’ll see)

The cinematography is earthy capturing the human element of young love and uncertainty pleasantly. Along with the score which slowly develops from upbeat to endearing to melancholy.

As for performances, Miles Teller has the potential to be the next Vince Vaugn of sorts with his natural ability to bring charisma to a character. Saw him for the first time in Footloose then 21 & Over this year. He has no problem with running his mouth rampant and when put in the right film, it comes out positively. Hopefully he sticks to movies such as this and doesn’t over do this type of character as some actors do. Shailene Woodley co-stars and offers another great performance. Really looking forward to her new franchise film next year, Divergent, I don’t care if it seems like a Hunger Games copy, I’m sure she will bring something to the films.

What really makes these performances stand out though is the chemistry between Woodley and Teller. The last time I saw legitimate awkwardness and realism brought to teen love was last years Amazing Spider-Man, maybe I need to watch more films if that’s the case. But everything about their interaction is something I’ve been through, and for that reason it felt so real.

The Spectacular Now is a coming of age tale that starts off upbeat then hits you with emotional substance. It’s engaging and totally relatable with great leads and raw chemistry. One of my favourites of 2013.

G.I. Joe: Retaliation (2013)

GI-Joe-Retaliation-after-credits-large-v3Roze-Rating: 3.5 / 5

After the events of the nano-byte wars, Duke is now commanding officer of the G.I. Joe tactical force. With Zartan and Storm Shadow still roaming the earth free men, danger remains imminent.

I’m not a fan of the toys or the franchise in general but I did thoroughly enjoy the first G.I. Joe film. It had it’s faults such as the CGI and acting but I managed to find the charm in it. Never intending to be anything more, it was fun and extremely entertaining. Just as this sequel is. I wanted to bump this up to four stars because I actually quite liked the film but after watching it for the third time I couldn’t get past a few things.

First of all for an action film this is as good as it gets. We get heaps of awesome action sequences in a variety of forms. There’s hand to hand combat, shoot outs, stealth operations, boat chases and loads of explosions. The editing is great and the choreography better. It wont let you down there, and for that reason I didn’t hate the film as others did. I mean there’s some badass sh*t that goes down, and I’m pretty sure you’d let out the odd “daym” when you see flint skidding underneath an obstacle just to shoot a guy.

As for the plot, yes it’s about a bad guy wanting to take over the world, nothing wrong with that in my books. The method of it, is where the problems exist. It’s not meant to be realistic or anything but the nuclear angle of taking over the world is growing tiresome and overdone. And in the end the execution is too illogical to look past. When you have endless opportunities for a film of this nature, then I would hope for something a little different as the first one was.

Usually little things don’t annoy me but why does Storm Shadow put on clothing just to take it off during combat. If he finds it that uncomfortable to fight in it then don’t wear it in the first place! He is the definition of “poser” in the ninja sense. I won’t mention the other thing as it is a spoiler. It involves Storm Shadow and his past, all I will say is, how does it take over two decades to figure something out which only took under a minute when actually thinking about it properly. There’s quite a lot of illogical nitpicks throughout the film.

The weakest link of the film is Flint. He’s a cool character in terms of what he can do in combat but outside of that he is totally one dimensional and boring. He has nothing to offer at all. This is probably largely due to the script as he hardly had anything to say. It was disappointing as he seems quite entertaining during the films opening as he partakes in insubordination and I noticed they deleted a scene where he gets his ass kicked for it. Looking back I think that was decided as he seemed to have too much of a personality. That being said D.J. Cotrona didn’t give his best performance but I will give him the benefit of the doubt as he probably had nothing to work with.

This film as the G.I. Joe action figures are, is largely targeted at the male gender. It’s pretty apparent that the male target was always in sight as we’re presented with Adrianne Palicki in tight clothing, skimpy jogging gear and a sexy red dress. That being said I found her to be one of the main highlights of the film. I’m liking modern action films even more nowadays as women are being empowered with badass roles a lot more. The likes of Scarlett Johansson (The Avengers), Antje Traue (Man of Steel), Jaimie Alexander (Thor) and Anne Hatheway (The Dark Knight Rises) show that being a total badass is sexier than playing the girl next door. In that respect I hope to see more of these characters in the future. Adrianne Palicki, if going down the action film route will do well. That being said women will get the opportunity to drool over Channing Tatum and The Rock doing their thang.

G.I. Joe: Retaliation is far from being perfect but for an action flick it provides enough badassery and sex appeal to make it an entertaining night in.

Crystal Fairy (2013)

crystal-fairy-indie-movie-650x350Roze-Rating: 4.5 / 5

Jamie (Michael Cera) and three Chilean brothers plan a road trip in search of rare hallucinogenic drug San Pedro. Before their big trip (PUN) Jamie drunkenly invites mysterious hippie Crystal Fairy (Gaby Hoffmann). Soon enough both Jamie and Crystal Fairy clash in personality.

Stoner film of the year, Crystal Fairy brings the stoner stereotypes to life with refreshing realism and raw charm. You get a sense that this is going to be more than your typical stoner comedy as Jamie offers to cook for drag queens he just met from the street. Jamie savors the drugs he takes, he doesn’t indulge in them with excess while Crystal Fairy likes to experience the drug from the mind to the soul.

Going into the film I didn’t know what to expect, I knew it was a low budget indie and I knew it was going to be a comedy. After seeing the film it really was a lot more than that. Doing some research I found out that this was a film that Cera and director Sebastian Silva had not originally planned to do. Waiting for finance for their second film Magic Magic they decided to shoot Crystal Fairy. Despite a thin script, Silva’s clear direction and personal experience make the film a heartwarming piece of Chilean gold. The film is truly down to earth and incredibly raw as we tag along on this road trip. From the tonal changes to the backpackers antics. This is as real as we’re going to get to a road trip film.

Although this film doesn’t concentrate on the road trip but more about the characters on it. When we’re first introduced to Jamie he seems like a chilled out guy. He offers to cook for strangers and even invites a new friend on a planned trip. but once off drugs he is self indulgent and more interested in his own agenda as he reluctantly allows Crystal Fairy to accept his offer. Crystal Fairy is truly a free spirit as she spews idealist views about how the world should be and what is causing its demise. Her contribution to preventing it involves drifting from one place to another and refusing to shave. They may be on a road trip, but the film explores their own journey within themselves.

They are both conflicted with life and don’t really know what they are doing as we see Crystal Fairy take a gulp of Cola after giving a speech about how destructive sugar can be. She lives in her own world putting on this fake exterior. While Jamie fails to accept Crystal Fairy on the trip, he refuses to connect and in the end we see him get isolated from the group. What I liked about the film is that the characters are authentic and their problems are honest. Ultimately the film explores their inner growth, from selfishness to compassion and from a reinvention of themselves to their true self.

Crystal Fairy offers some committed performances from its cast. Michael Cera has played offbeat characters before but nothing as organic as this. I’m not familiar with Gaby Hoffmann but her eccentric and out there performance makes this one of the bravest performances of the year. As for the Chilean actors they did an awesome job largely dependent on improvisation. Juan Andres Silva has a certain look that suits the big screen; hope to see him take on other projects.

I’ve not watched many indies but this makes me want to watch a heap of them. Crystal Fairy may not be packed with jokes and road trip horse play, but it is rich in character development, mesmerizing cinematography and drug play.

The East (2013)

The-EastRoze-Rating: 4 / 5

Sarah Moss (Brit Marling), former FBI agent, starts her new career at an intelligence agency forcing her to go undercover and collect information from anarchist group The East. All members of the group carry aggression against massive corporations that harm the environment around them. Determined to make an example of their careless actions they plan a number of “jams” to expose their true contributions to the world. During her undercover work Sarah grows attached to the groups cause, although disagreeing with their methods. 

The East is as much a political thriller as it is a study of humans in modern society. Throughout the film we contemplate who the bad guys are, who we should root for and our way of life. We are presented with two sides, self righteous anarchist group The East with good intentions but questionable actions and the corporations who on the surface look like they want to aid the world but ultimately want to help themselves. At first one side seems the obvious bad guy as they are branded as terrorists but once we get to know them as individuals and their reasons we question the word terrorist. They may not do anything drastic as all they want to do is give the corporations a taste of their own medicine (LOL) but eventually the seeming leader of the group (Alexander Skarsgard) gets too deep into the cause. 

It may not be as thrilling as you’d like it to be but it does hold some thought provoking questions backed up with fascinating scenes exposing an idealistic view of human life. For that reason this film is an enticing watch. One scene that got to me was a quite freaky but weirdly beautiful scene of the group eating at dinner, once you see it you’ll understand. The film holds an eerie tone from the ghostly score to the bleak cinematography. It looks and sounds fitting to its premise and message giving these scenes of human nature more than it appears. 

It really is a film of moral high ground, leaving it to us to make our own choice about who takes that place at the top. Although towards the end it may have chosen for us. I felt it had too much of a Hollywood ending; it just didn’t fit the ambiguity of the film. Nevertheless the themes of human nature, relationships and politics make it an enjoyable film.

Despite having to strain my ears to understand some of the actors, the performances were solid. I felt there was too much mumbling and not enough projection in their speech but maybe I’m going deaf from all these loud action films nowadays. Anyways kudos to Brit Marling, previously saw her in Arbitrage playing a minor role. After researching more about her I learnt that this is her third written project, previous projects being Another Earth and Boxers & Ballerinas, which brings me to the assumption that she is massively talented. I’ve not seen all of her films but I look forward to it as she’s done a great job acting but also co-writing this film. She’s more than eye candy but someone with real potential in both the written and acting side of film. Her character has substance, she has a hard exterior but sees arrogance as a weakness; I like how she was branded as perhaps “not soft enough” for The East. In the end that balance gives her a greater moral conclusion to the problems expressed. I’d also like to see Toby Kebbell in more things, loved him in Rock’n’Rolla.

If you liked The International (Clive Owen) but thought it was too out there, then this film will bring you back to earth and maybe even further. 

Prisoners (2013)

maxresdefault (1)Roze-Rating: 4 / 5

Prisoners is a suspenseful thriller that plays off the tragedy of two families and the dedication of one detective. The film follows two main protagonists, Jake Gyllenhaal and Hugh Jackman during their antagonizing search for two missing girls. They both offer compelling performances giving us a raw insight on how the mind works in situations illustrated in this. It’s a film about the lengths we would go to in order to protect our children, how far is too much? and is it really worth it in the end? Jackman portrays a man so consumed by his emotions that he takes matters into his own hands, ultimately committing the same crime he is mourning over. We’re left wondering if his actions are counterproductive as he neglects the very people that are in it with him. Gyllenhaal plays a cop with an 100% record for solving cases. From the go we know that he isn’t committing to a family or a girlfriend as he sits alone in a restaurant making small talk with a waitress. His exaggerated blinks expose his tiredness and accepting a call without hesitation reassures us that he’s a legitimate cop.

I can’t say I enjoyed this film as much as I wanted to. I found myself trying to connect with the characters and relate to their emotions a bit too hard. This could be down to not having kids myself but that being said I’ve definitely felt similar emotions having lost my little sister for a split second, not pleasant (bad brother). We’re introduced to the (going to be) lost children during the opening act and a lot of emphasis went to them allowing us to get to know them and ultimately tap into their parents emotions once they are missing. It’s executed perfectly as the suspense is heightened emphasizing their parents increasing fear. The following scenes are emotional as we see these two families searching for their children. Unfortunately for me what follows disconnected me from the film slightly. It starts to focus on Jackman’s character and his gradual surrendering to his dark emotions . His story is compelling but I felt we needed more insight to the other characters within the two families in order to get a well rounded sense of the family’s well being. Eventually I kind of forgot about them.

I would say this is more of a crime drama than anything else and that’s what I liked about it the most. The search is realistic, we never really know what’s happened til the end and the suspense is masterful. In terms of characters I resonated more with Gyllenhaal’s character more than any one else, I think you rarely see a film where you feel like your in the detectives shoes and this film explores that really well.. When his character is faced with the parents you feel for both of them since you can understand the frustration that’s expressed by the parents but you also sympathize for the detective for having to deal with aggression coming from the very people your busting your ass to help. I’ve not really seen that in cop films very much.

What really makes this film are the performances. Without the high caliber performances we wouldn’t be getting these raw emotion on screen pushing our emotional buttons. Hugh Jackman gets so intense I was just waiting for those wolverine claws to spring out. I mean this guy can be scary when he wants to. Jake Gyllenhaal is a total badass, from his no nonsense demeanor to his slick haircut. Little details like his hard blinking make his character real, great performance. A performance that may get overlooked is Paul Dano’s interpretation of a troubled kid slated as the main suspect for the kidnappings. I mean I’ve never felt sorry for a person that frustrates me and creeps me out at the same time. There’s a hint of innocence in that performance that I don’t think many people could do.

Prisoners may get frustratingly slow at times but it makes up for it with it’s gloomy tone and still camera work. The suspense will get your heart racing and the performances will engage you. Even though it may be a bit too long, it’s still worth a watch as one of the better dramas of 2013.