Tag Archives: Dramedy

The Spectacular Now (2013)

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82be1a35bdd197cdb228bea4120f7e72Roze-Rating: 5 / 5

Every year I watch a shiz load of films, ranging from the brilliant to the utterly terrible, but there will always be that odd film that some how finds its way to me and strikes the sweetest G-Chord within my heart. The Spectacular Now is that film for me of 2013.

Ever since The Descendants I knew I was an instant fan of Shailene Woodley and had been waiting to see her follow up film for quite a while. And what a film. Just as The Descendants was, this film is down to earth and totally real. Miles Teller plays Sutter Keeley, a kid on the brink of adulthood. We meet him as he struggles to begin his college application, unsure of how to put his life into words. He seems like he has his sh*t together as we indulge in his large personality and his way of words, but once we’re exposed to his constant alcoholism we know something is up. What makes this such a relatable film is Sutter’s predicament. He’s lived in the now for all his life and has struggled to do anything productive with it. He may have heaps of fun but during a time of his life where a future plan matters he becomes stuck. His girlfriend dumps him for the pure reason that he has no ambition. Then Shailene Woodley’s character Aimee Finecky comes along and gives him a bit of a pick me up. Aimee is the complete opposite of Sutter, she’s down the chain on the social ladder and has dreams of finally leaving for college although stunted by her mother. Sutter befriends her in the hope of helping her out.

There’s films out there which make you wanna cry because devastating stuff happens in them with that sole outcome in mind, but then there are some films which make you wanna cry because you connect so much with the characters and the films themes that they are more tears of inspiration than sympathy. I wont lie, by the end of the film I felt quite emotional. It was odd because I’ve never felt so emotional for such a character triumph. Something so simple yet profound. I’m at a similar time in life as this Sutter kid which is why it probably felt so relatable, and because of that I may have left the film slightly a better person.

What I like about this story is that there’s no defining character that helps grow Sutter. From watching past coming of age films there’s usually a father figure or someone that can be looked up to who knocks some inspiration into our lost soul, but in this film, it took getting to his lowest point to finally grow. Sure there were characters along the way which were important but at the end of the day if you can come to terms with your problems then you can look for a solution. That’s what makes the final scene so good, it’s ambiguous but does it really matter? (You’ll see)

The cinematography is earthy capturing the human element of young love and uncertainty pleasantly. Along with the score which slowly develops from upbeat to endearing to melancholy.

As for performances, Miles Teller has the potential to be the next Vince Vaugn of sorts with his natural ability to bring charisma to a character. Saw him for the first time in Footloose then 21 & Over this year. He has no problem with running his mouth rampant and when put in the right film, it comes out positively. Hopefully he sticks to movies such as this and doesn’t over do this type of character as some actors do. Shailene Woodley co-stars and offers another great performance. Really looking forward to her new franchise film next year, Divergent, I don’t care if it seems like a Hunger Games copy, I’m sure she will bring something to the films.

What really makes these performances stand out though is the chemistry between Woodley and Teller. The last time I saw legitimate awkwardness and realism brought to teen love was last years Amazing Spider-Man, maybe I need to watch more films if that’s the case. But everything about their interaction is something I’ve been through, and for that reason it felt so real.

The Spectacular Now is a coming of age tale that starts off upbeat then hits you with emotional substance. It’s engaging and totally relatable with great leads and raw chemistry. One of my favourites of 2013.

Prince Avalanche (2013)

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paul_rudd_emile_hirsch_road_workers_prince_avalancheRoze-Rating: 4.5 / 5

Prince Avalanche is about two guys painting lines on a country side highway just after it had been hit by a massive fire. Alvin (Paul Rudd) decides to work away from his girlfriend in order to somewhat reinvent himself and find a bit of joy in his life, tagging along is Lance (Emile Hirsch) his girlfriend’s brother. In this offbeat comedy we meet the pair as they begin their relationship and over time we see them form an unusual friendship but not without your odd feuds.

There’s no explanation about how the fire happened or how it affected the people in the area, it’s more about the growth of these two guys and their newly formed bond. They’re both at different points in their life. Alvin is well into his adulthood and is looking to cement a pure commitment with his girlfriend but moving away from her may suggest some form of unhappiness back at home. While Lance is more concerned about getting his “little man squeezed” than any serious life commitment. But I guess what they both have in common is that they long for more and haven’t really reached their optimum happiness in life. Alvin seems to be relishing life outdoors and his alone time, getting opportunities to explore what he loves and pure silence. There’s a scene where he visits a burnt down house and acts out a scenario as if he was back home with his girlfriend and you feel there was a lot of neglect there. He may have felt more alone at home than being out in the countryside by himself. Lance feels the opposite as he starts feeling lonely, missing the hectic life of Garland (funnily a small village), only thing on his mind is sex. What’s funny is that his train of thought is relatable to any man, he makes an emotional speech about not getting any and it’s probably one of the funniest things I’ve seen in film this year.

This is definitely one of my favourite films of the year, it has everything I like, weirdly lovable characters, offbeat humour, coming of age essence, brilliantly filmed settings and a great score. It may not appeal to mainstream audiences but if given the chance, the characters and tone of the film may just win a few viewers over. I like how on the surface it seems like such a simple film but dig deeper and it’s actually quite a charming story about growth and coming to terms with what happiness really is between two characters and their odd friendship dynamics. The final act probably holds one of my favourite scenes this year, filled with catharsis using booze and great music, simple yet freeing.

Paul Rudd and Emile Hirsch both step outside their comfort zones playing characters we rarely see them cast as. Rudd takes on a more serious character while Hirsch is the funny one. Definitely solid performances. Lance Le Gualt, the truck driver also puts in quite a charismatic performance. The film only has four characters and from the start we are told that four people lost their lives in the fires that hit the countryside. So are they ghost’s? one of them definitely is, but I guess we can interpret it in any way we feel right.

Hopefully this film doesn’t go unnoticed, it won’t win any major awards but it deserves some form of recognition, starting with views. I’m not familiar with David Gordan Green’s earlier work except his mainstream comedies but if these are the type of films he produces, I’ll definitely be giving his films a look.