Tom Selznick branded as the most talented pianist of his generation returns on stage for a comeback performance after five years of retirement, as a result of nightmare performance that halted his career in an instant. To add to his ongoing nerves, during the opening of his concert he discovers a message on his score sheet stating that he will be killed if he makes a mistake. While playing in front of a large audience, Tom must figure out who has him at gun point and for what reasons.
This isn’t your average thriller as the premise may suggest, and that may be why the film isn’t a complete flop. That being said behind the preconceived premise, the twists and turns that take place may not be as inventive as one hopes. What saves it from becoming a generic thriller is the direction of Eugenio Mira and performance of Elijah Wood, who has relished his freedom lately and taken up a number of low budget projects. Grand Piano is set in one location and is filmed in real time, yet it remains engaging and is rarely dull.
As classical music is, the camera work is elegant in its movement and is reluctant to use the same angles excessively keeping the location fresh but also working hand in hand with the music as a way of expressing the chaos taking place in front of a clueless audience. The cinematography as a whole is a good enough reason to watch this film. The editing is also masterfully utilized on occasions to symbolize violent acts, such as suddenly cutting to the stroke of a bow along a cello’s strings to show what crime had just occurred. Without the sophisticated camera work, Grand Piano would lack the thrills and tension which make the film at times exciting.
Upon doing some research I was surprised to find out that Elijah Wood has limited piano playing abilities and that most of what was filmed was the craft of his hands, and that alone merits praise for his performance. Having to concentrate on his precise hand movements, acting and listening to John Cusack via an earpiece takes some major multitasking skills and it totally succeeded. Despite not seeing much of John Cusack, his voice succeeds in being convincingly menacing.
It is an unusual film but that’s what gives it character, providing quite a pleasantly unique viewing experience. It’s tense when it intends to be and quirky in others, despite underwhelming twists and perhaps a payoff too, it’s a film definitely worth watching as a guide on how to make a low budget film that looks classy and is as intriguing as any other blockbuster thriller; and hey it make even convert you into a classical music enthusiast too.