Tag Archives: Review

X-Men: Days of Future Past (2014)

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dofpRoze-Rating: 4.5 / 5

The original X-Men cast return to the big screen as they are under the attack of Bolivar Trask’s (Peter Dinklage) Sentinel program. Casualties are high and rising, as the mutants aren’t the only species being attacked but also the humans who dare to help them. This leaves earth under brutal control of the worst of society, with the mutant killing machines at their disposal. The only way to save the world is to turn back time and prevent the very event which caused the genocide. This requires Wolverine (Hugh Jackman) to be sent back to the 70s to stop Mystique (Jennifer Lawrence) from killing Trask, an event which dictated the view of mutants around the globe.

I will say right off the bat that this is the best X-Men film to date. After multiple viewings my opinion does not change as it’s quite simply a great film. What it does is give us a true in depth exploration of these characters, not all of them, but a lot more than what previous X-Men films achieved to do. This meant Wolverine was able to take a seat back and give other characters a turn. I think Singer recognized that and for once the characters are given the respect they deserve. This film is filled with great character driven moments, and in my opinion they stand out much more than the action, which was also brilliant. This is completely down to Simon Kinberg’s screenplay, which gave us complex characters, encouraging us to think a little bit and allowing us to make our own opinions about these characters. A stand out moment would be a heated argument between Professor X and Magneto (young) as they are flying to find Mystique. It becomes clear that these are two people who have the mutants well being in mind, but their ideologies about how to go about protecting them are vastly different. For once Magneto isn’t portrayed as bad. We are able to understand his ideology and for a moment sympathize for him as he protests Professor X’s self-pity. These ideologies are further explored as Mystique is caught in between them, trying to pave her own path towards saving the mutants. Ultimately the writing really makes this a great film.

I was always a bit underwhelmed by how the characters powers were translated on screen, not all the time, but I felt this way more times than I should have. Days of Future past finally nails it as it feels more fluid and organic rather than confused and flat. I never liked Storm (Halle Berry) because I thought her powers were a bit lame, but after this film I finally understand her badassery. Right from the opening scene I knew that things were going to be different on the action side, and they were for the better. Like they say, one stick is easy to break, but a bunch of sticks are almost impossible to break. Much like their powers, they function better when they work as a team, and quite evidently it’s much more entertaining. It says a lot that Wolverine was probably one of the tamest characters throughout the whole film.

With the rise of this comic book movie phenomenon, it’s encouraging to see that the acting is not being compromised as this film has some of the best performances I’ve seen in a comic book film. If future films of this genre continue to go in this vein then I have a lot of money to save for the 20 odd comic book films which are going to be raiding our local cinemas in the coming years. Seeing this cast on screen is awe inducing right to the end. Making it even harder for me to hold in all my emotions as both Patrick Stewart and James McAvoy share an intense moment of screen time, which did not disappoint.

There is no denying that this film will make it onto peoples top 10 lists for comic book films. If not your best comic book films list, then your best comic book film moments list. The moment I’m referring to is the Quicksilver scene, which is hands down the best scene I’ve seen in awhile. It’s inventive, funny, badass and totally appropriate for the representation of his power. One thing is for sure, Aaron Taylor Johnson is gonna have to do something special to have one over on Evan Peters.

For a superhero film it felt somewhat down to earth, as if we were watching real people with genetic differences to us. The way they integrated real life events like the JFK assassination and the Vietnam war made the X-Men universe feel real which only enhances the feeling that this is more than just a comic book film but a film about these characters who are complex and interesting. Bryan Singer has genuinely saved the X-Men franchise by erasing all the continuity problems of past x-men films and giving the new cast a chance at a perfect trilogy without the burden of knowing Wolverin: Origins and X-Men: The Last Stand exist, the ending is the ultimate cherry on top to that.

Fury (2014)

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furyRoze-Rating: 3.5 / 5

Fury puts us right in the seats of a Sherman tank during the last battles of WW2. It’s 1945 and the allies are making their final push into Nazi Germany looking to end the war once and for all. Having lost one of their brothers in arms, Wardaddy (Brad Pitt) and his loyal crew take on a young rookie (Logan Lerman) who looks way out of his depth. Despite being vastly outnumbered and outgunned, the fury continues to move deeper into the heart of Germany while teaching the rookie about the norms of war.

For me Fury is the perfect film for a night at the movies, it has almost everything I enjoy and want out of a cinema experience. the action is thrilling, the characters are badass and the story is enjoyable. But unfortunately it never amounts to anything more than an entertaining war flick.

Despite it not hitting the narrative heights I was expecting, it’s forgivable because all the elements work together to make a tense, heart thumping, sweat inducing ride of a war film that I look forward to watching again back to back with Saving Private Ryan. It may not be in the same critical league as some of the best war films we’ve seen in the past, but it would be hard to form an argument against this being one of the most entertaining. So of course the most memorable parts of the film is the action. The combination of gunfire, tanks in motion and a collected Wardaddy delegating battle tactics through a radio, forms this hectic, almost claustrophobic atmosphere as these guys are fighting from the confines of their tanks. They live in and for these tanks, and a large part of this film is understanding that these tanks turn into more than an instrument of war for these characters, it essentially becomes home. By the time we get to the films finale, we understand why it’s so hard for Wardaddy to abandon his home.

It’s easy to understand why these characters are so likable despite their barbaric nature, knowing David Ayer directed End of Watch. He was able to make that cop bond the main focus of that film and the payoff was perfect, making for an intensely emotional ending. This time around it’s disappointing not to feel such an intense bond between these soldiers. There are scenes which try to support and develop the dynamics of the crew and there’s no denying how strong the bonds are but by the end of the film these bonds aren’t translated through enough to make for a truly resonant ending. That being said each character is made their own with massive help from a great cast and solid performances. I don’t care how crazy people say Shia LeBeouf is, he’s still a great actor and proves it in this film by being totally unrecognizable in his role. I found Logan Lerman a bit iffy at the start but he grew from strength to strength as the film progressed, much like his character. As for Brad Pitt and company (Michael Pena, Jon Bernthal), they were as solid as ever.

For a WW2 film it didn’t feel much like a WW2 film. The locations, costumes and props looked realistic enough but I didn’t get the sense that they were fighting in that specific war. That being said, this film is more about the characters and the nature of war in general than WW2 specifically. We see how Wardaddy (Brad Pitt), despite his stern exterior, has to get away from his crew from time to time to truly let out all his repressed emotions. We learn that in war we have to pretend to be someone we are not, someone who can endure violence and exceed the limits of man. This is what Logan Lerman’s character has to learn. Despite essentially becoming a product of war, there is still chance for redemption. We see characters who are so far gone that we think there’s no return, yet they still have their moments which highlight something good inside them. Shia LeBeouf’s character grounds them a little, with his religious beliefs, his crew members may mock him but they believe in his ideas.

Despite a few underdeveloped elements such as the characters and religion in war. This is a film that is worth a second viewing based on the acting and action alone. We get gruesome violence, well choreographed combat scenes and a genuine exploration of brotherhood in war.

Dawn of the Planet of the Apes (2014)

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Dawn-of-the-Planet-of-the-Apes-WallpaperRoze-Rating: 4.5 / 5

A decade after the fight of San Francisco, Ceasar and his following of intelligent apes have adapted to life in the Redwoods. Suffering the consequences of developing the drug which created these apes are the humans who have spent the last 10 years surviving a Simian Flu epidemic.The apes are convinced that the humans have lost their battle against the disease, until a member of Malcolm’s (Jason Clarke) group runs into two apes and shoots one in excitement. Ceasar still faithful to his no killing rule lets the humans escape, unaware that they are searching for a power source to get San Francisco running again.

Dawn of the Planet of the Apes joins the ranks of great sci-fi blockbusters this year among the likes of X-Men: Days of Future Past, Edge of Tomorrow and Godzilla. Films which could really prompt the rise of genuinely good sci-fi films. For a sequel Dawn of the Planet of the Apes completely trumps its predecessor in all departments. Keeping Ceasar central to the story was a masterful decision and because of it we get a far more compelling story than that of the humans. We’re ultimately trying to get our way to the climax which is the planet of the apes, and it wouldn’t have felt right if Franco was still there fighting for screen time. Of course he is a massive part of Ceasar’s origin story which is where Ceasar’s compassion and empathy for the humans comes from, also a reason why Rise of the Planet of the Apes works so well, but telling the majority of the story from Ceasar’s perspective was definitely the right way to go. This way we have a protagonist who is unbiased and has an impartial view towards the world, a character we know we can trust in a broken society.

During Rise of the Planet of the Apes, we see Ceasar grow up among humans, absent to life with his own kind outdoors where he belongs. He doesn’t know what humans are capable of or where he came from, but asking the questions gives him answers he finds hard to swallow. Ten years on he and his family of intelligent apes have formed a sophisticated society living as one. Dawn of the Planet of the Apes is great in so many ways, it could have easily turned into a cheap action crapfest but instead it’s an intelligent film not short of the human element. I think I join a large group of people who were attracted to this film purely because of apes with guns on horses, I mean I’ve never heard of anything as awesome as that. Anyone expecting 2 hours of apes with guns may be disappointed but I’d like to think that they’d be pleasantly surprised at the same time. We spend most of the film with Ceasar amongst his family contemplating how to deal with the humans. We learn their way of life and how they all live as one and care for each other, living without the modern necessities that we live with nowadays such as electricity and internet. It makes us question how we are as a modern society, everything that is wrong with it and everything right with it. Ceasar genuinely believes that Apes are better, but as the film unfolds he learns that ignorance and indifference is something you can’t prevent and maybe conflict is all but inevitable within nature.

This film not only shows us the potential of sci-fi but also how far performance capture has come. Andy Serkis has revolutionized the film making tool and proves that it shouldn’t be ruled out as a legitimate method of performance. A lot of buzz has gone around saying that Serkis deserves an Oscar nod after this performance, and I’ll have to agree. It’s amazing to even think that a man is literally playing Ceasar, all of his facial expressions, his movements, all these details which bring the character to life. Serkis expresses so many emotions just from these delicate details which is pretty amazing since Ceasar’s dialogue is quite limited. I’ve never felt such a strong connection with a non-human protagonist. That being said, Serkis is only one of many who use performance capture to play the ape characters. The likes of Toby Kebbell and Judy Greer prove that Serkis is not the only actor who can master performance capture. Kebbell especially puts in an absolutely terrifying performance as Koba, an ape who can’t forgive the years of torture ensued by the humans.

The only negative about the film would probably be the human characters, the only character which stands out is Malcolm (Jason Clarke), one of the few humans who see the apes in a much brighter light. He is to an extent quite an important character as he reminds Ceasar that not all humans are corrupt. Characters like Dreyfus (Gary Oldman) and Carver (Kirk Acevedo) represent how we find it hard to blame ourselves for the downfall of humans, even when the facts are right in our face. To an extent they mirror Koba’s same feeling of indifference.

As for the aesthetics, the CGI is a lot better than its predecessor by a large margin. The apes actually look real this time around, improving from the choppy CGI we had in the first film. The set design is incredible creating a post apocalyptic forest look to both San Francisco and the Redwoods, which sets up some incredible shots throughout the film. It’s just an overall great looking film. Also props to the sound mixing crew who created a genuine ape society atmosphere, sitting in the cinema and being able to hear apes surrounding you was not only awesome but put in perspective how many of them there were.

Dawn of the Planet of the Apes is definitely one of the best films of the year so far, not for its spectacle but more for its storytelling and direction. We’re being given an intelligent story about war and human nature, a film which makes us think rather than fry our brains, and for anyone who wants their brains fried, well apes on horses with guns!

Chef (2014)

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Chef-1Roze-Rating: 4.5 / 5

Having gone through a stint of directing rather large budget films, Jon Favreau has “gone back to basics” with Chef, a film about cooking as a passion and a way of life. Carl Casper (Jon Favreau) is a passionate chef running his own kitchen at a stable restaurant, yet he is unhappy. Restaurateur Riva (Dustin Hoffman) wants him to play it safe but after countless years of serving the same food, all Casper wants is freedom so that he can go back to enjoying his passion once again.

Chef is one of those films that has you smiling throughout its run time, not purely from its humor but from its down to earth charm and feel good vibe. Everyone has a passion, it may dominate our lives or it may just be a hobby but we all have one. Seeing Carl Casper living his passion and being it is not only a joy to watch but inspiring for all us dreamers out there. Chef is a film that tells us that the measure of success is not large sums of money or working in a respected establishment, but the currency of happiness. Casper may have been blind to his unhappiness for years but once his creativity is obstructed he realizes that freedom is all he needs to be happy again, and just like Jon Favreau, going back to basics is the way to go.

What I love about chef is the detail that’s gone into depicting cooking and food as a passion, all the intricate details from handling the food to the acting. I totally bought into Jon Favreau’s character because he totally embodies this person who lives for food and all he wants to do is share his passion with others so that they can experience everything he loves about his art, and isnt that what all artists strive to do. But just like any art, it can be corrupted by external forces be it the industries or people that want to take control and that’s when problems occur. Ultimately the direction is brilliant, Chef is a film that knows what it wants to be, a grounded, character driven piece of film with a great soundtrack.

My favorite moments in the film are equally the same moments I hate because it makes me so damn hungry!. Seeing Casper handling his food as if each ingredient was his own child, so delicate and perfectly handled just hits home how much he loves what he does. It makes those father-son montages later on in the film that much more pleasing and effective, as we get to see Casper share his passion with his son. A relatable theme for me especially, bringing me back to the days where being told to do all the crappy chores from my dad was called bonding.

As for performances, props to Emjay Anthony playing Casper’s son, who gives for me the best performance in the film. He’s just a kid stuck in between his parents divorce who doesn’t quite understand it but at the end of the day he just wants to hang out with his dad. He’s innocent but optimistic, never intending to be overly emotional about the situation, just making the most of his time with his dad. As a result of his performance, the father son relationship steals the show.

It may not be the most eventful road trip film but it sure is the tastiest, offering an upbeat playlist of latin jazz and flavor, a film that will make you want to go out and partake in your passion.

Three Film Feast: Star Wars (Original Trilogy)

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Star Wars OTRoze-Verdict: Possibly the greatest trilogy ever made.

Films;
 – Star Wars Episode IV: A New Hope (1977)
 – Star Wars Episode V: The Empire Strikes Back (1980)
– Star Wars Episode VI: Return of the Jedi (1983)

Directors;
– George Lucas (A New Hope)
– Irvin Kershner (The Empire Strikes Back)
– Richard Marquand (Return of the Jedi)

Main Cast;
– Mark Hamill (Luke Skywalker)
– Harrison Ford (Han Solo)
– Carrie Fisher (Princess Leia)
– James Earl Jones (Darth Vader Voice)
– Billy Dee Williams (Lando)
– Alec Guinness (Obi-Wan Kenobi)
– Kenny Baker (R2-D2)
– Anthony Daniels (C-3PO)
– Frank Oz (Yoda)
– Peter Mayhew (Chewbacca)

George Lucas had a vision, his vision included star fighters, talking robots, Jedi nights, gangster worm monsters, storm troopers, countless planets and a death star. All things that we would have loved to think of. Lucas was so passionate about his project he later produced the final two films independently, with the intentions of protecting his work from being meddled with by film studios. Although a difficult task, he succeeded in making a long lasting trilogy which created die hard fans around the globe.

There’s a good reason why Star Wars is such a classic and that’s because it’s absolutely incredible. From the characters to the locations, it is not short of imagination, it makes me wonder where all this innovation has gone to nowadays. Of course there’s no surprise that George Lucas creator of Star Wars also played a large part in writing the Indiana Jones series which is probably my favorite film franchise to date. It’s not hard to see similarities in both these franchises as the adventure is what the films are all about. What’s great about this trilogy is that it works as a 6 hour film, as the story picks off from where the last one ended. What’s even better is that each film ends satisfyingly avoiding that irritating cliffhanger feeling. Does it hold up compared to films nowadays? Absolutely and probably exceeds them in terms of quality.

I think anyone who can make a robot, that can’t speak, one of the most lovable characters on screen, should get massive praise. Almost half the characters in the franchise can’t speak a language we understand, yet they are memorable and characters we empathize with, most notably Chewbaka, R2-D2 and Wicket the Ewok. That goes for all the characters, they are all interesting and have personalities we can relate to, but they really wouldn’t be anything without the bonds they share. The likes of Luke Skywalker, Han Solo, Princess Leia and even Lando share a chemistry that’s addictive, it makes us want to see more of them and come out victorious. Another brilliant character is Darth Vader, the very person we’re meant to despise. Even though he was an evil bastard in the first couple of films, I couldn’t help but admire his no nonsense style and persistence. Which is why after the “shocking” ending of The Empire Strikes Back, we realize there’s even more to him than we thought. Nowadays our villains on screen are one dimensional and share similar motives, it’s refreshing to witness such a character transformation of a villain on screen because what initially is a feeling of bitterness towards Darth Vader ends in one of the most emotional and heart warming scenes of the trilogy. I can’t stress how brilliant these characters are.

For a film made 30 odd years ago where CGI was on the brink of development, it doesn’t do too bad of a job. If I’m not mistaken Star Wars was one of the first films to use CGI at its full potential during that time period and prompted future use of it in films like Alien and Superman: The Movie. George Lucas of course went on to build his own visual effects company which is pretty much the reason we have incredible CGI imagery in blockbuster films today. In respect to the time period Star Wars was made, they were smart in using the CGI only where necessary so it didn’t get tiresome or draw attention to its flaws. What I think enhanced the underdeveloped CGI is the costume and set design which is some of the best I’ve ever seen in film. Some may disagree and argue that it makes the alien characters look noticeably fake but there is a charm to it. Knowing that the human characters are acting with objects within the scene makes it all that more convincing, more so than some films nowadays where actors have to pretend that the CGI characters are there with them, most recently Transformers. We are immersed in the lands they explore and the surroundings because the sets are expertly built with emphasis on detail and the location scouting is bold. After the films, it doesn’t just make you want to build a light saber and fight evil, but it makes you want to explore and have you’re own epic adventure as these characters did.

For a time where cynicism inhabited most things in society such as music, media and even films, Star Wars really brought back an optimistic and hopeful perspective on life and the future. It’s a simple story between good and evil, where peoples choices and free will define them, and no matter what, the good will smash the evil. Even though there’s a possibility Luke could turn to the dark side, we never believe it because his character is so pure and likable, he’s the every man, someone we can all relate to, and by the end of the trilogy, someone we strive to be. As well as being a great story, it’s also a lot of fun. Probably the biggest positive about Star Wars is what a good time it is, no matter how many times you watch it, Han Solo’s sarcastic humor and wit will make you smile, as well as the back and forth dialogue between the characters. It really is the definition of a “popcorn flick”, and I think that’s largely down to how passionate George Lucas is and how well the actors know the characters. They play them with so much confidence and awareness of how the characters should be portrayed, that we are able to buy into them. Ultimately the film knows exactly what it wants to be, which is a quirky, fantastical space opera that needs to be watched religiously because “if you’re not trillion at least once every three years, the dark side wins” (How I Met Your Mother reference).

Off The Radar: Premature (2014)

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premature-movie-poster-01-1390x2048Roze-Rating: 3.5 / 5

Premature may look like your average teen gross out comedy judging from the unknown cast and budget production, and you would be right to assume that but it doesn’t matter because aren’t the point of comedy films to entertain you and make you laugh? Rob Crabbe (John Karna) is a normal teen coming to the end of high school, but just like any male teen he has fantasies, fantasies causing him to wake up with slimy boxers and an awkward mother telling him to put his own sheets in the wash after walking in on him. What Rob soon finds out is that whenever he releases his special sauce during the day, he lands right back in bed in the same awkward situation as before. Some would find it a burden but eventually Rob embraces it, which could potentially break him out of the “curse”.

I’ve seen enough of these B-movie comedies to know not to take them too seriously, or expect a lot out of them, but something about Premature sets it apart from the others. For one the premise is quite fun, it’s already been branded as Groundhog Day meets American Pie, and I’d say that seems quite accurate. It has the exact same format as Groundhog Day but takes a more gross out, cheap laugh root towards its comedy. That being said the jokes try not to be cheesy or overdone, and that’s probably down to the comedic timing and likability of the cast.

There’s something about Craig Roberts that makes me laugh, it could be his stone cold facial expressions, the fact I can’t help thinking he would look good in glasses or his hilarious delivery, whatever it is it makes me want to see more from him. Improv or not he has some hilariously memorable quotes. An example “It’s a scientific fact that your blood pressure drops when you orgasm, it’s like your balls are shooting yoga through your veins”, classic. He’s already starred in recent hits such as 22 Jump Street and Neighbors, so he must be doing something right. Alan Tudyk also makes a memorable appearance as a college admissions officer who happens to be a widower. I know it shouldn’t be funny but Tudyk somehow makes it funny, big fan of his after his appearance in Transformers 3. Also look out for Adam Riegler who looks as though he was pulled out from a Nickelodeon sit com, definitely a highlight of the film. As for John Karna, he is one of the few unknown leads, in these kind of films, that actually look promising for the future. He may not have done anything groundbreaking but at least I wasn’t trying to pretend he could act which is usually the case for these films, and he made me laugh multiple times which is the goal right?

If the film ever reaches your cinemas, I wouldn’t tell you to go spending money on a ticket, but I would tell you that if you’re like me and find it hard looking for new comedies to watch due to watching them all already, then this is a perfectly fun film for your weekend screen fix.

Transformers: Age of Extinction (2014)

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f140aad0-e041-11e3-bbab-c14b02f09f69_transformers-age-of-extinctionRoze-Rating: 2.5 / 5

Following the attack on Chicago, there is a sense of bitterness towards the transformers. Unknown to the public, Decepticons and Autobots are being hunted down and killed for their scraps, sanctioned by corrupt CIA operatives. Of all places, Cade Yeager finds a torn up truck in an abandoned cinema hoping to sell the parts for enough cash to put his daughter through college. When he discovers that it isn’t your average truck, his life takes a turn for the worst.

Now I’ve never been a hater of the Transformer franchise or ever boarded the “down with Michael Bay” bandwagon, because I actually find his films fun and thoroughly entertaining, but this time around I’m finding it hard to defend the CGI addicted director. I’ll give him Transformers one as it was actually a pretty good action flick, and what made it so good was that element of mystery, for people who weren’t familiar with transformers or ever had a history with them, the first installment was perfect. We’re learning about who the transformers are and how significant their rivalry with the Decepticons is, and the bond they form with the humans adds an extra layer to the transformers that makes them admirable characters. But as the sequels increase the more shallow the franchise has become, and when we take a step back and think about the films together as a series, it’s evident that there’s no progression and it never intends to, instead there’s more of a desire to include as much CGI as possible, dress the girls down as eye candy and make a simple story over complicated. And that’s a shame as the characters are pretty badass. That being said I’m one of those people that totally fell for the plethora of explosions and destruction that was Transformers: Dark of the Moon. Yes a lot of it was ridiculous, and there are moments that annoy me, but you can’t fault the entertainment value it offers and some of those action sequences are jaw dropping. Looking back you can tell that Bay took on the criticism from Transformers: Revenge of the Fallen, and improved the franchise immensely, because that film achieved the complete opposite of what it intended to do. The story was bloated and the pacing was completely off, making for an overlong film that was ultimately boring despite the non stop action. Unfortunately Transformers: Age of Extinction does not move forward as Dark of the Moon did, but instead takes a huge step backwards.

Unsurprisingly this film is visually brilliant, there’s one thing Bay can do and that is make a great looking action film. The CGI is incredible and has come a long way since the first film of the series, you would honestly think that these robots were real if you were a kid watching for the first time. Of course if you’re looking for explosions, explosions and more explosions then this film will hit the spot perfectly; it would be hard to find a film that can top the amount of destruction that you’ll get in this. But If you’re looking for an action film with a coherent story and uncliched characters then this may be 2 hours and 37 minutes you’d rather save for another trip to the cinema.

There’s a reason I could tolerate Transformers: Dark of the Moon, and that was because I cared about the characters having spent two films getting to know them with the exception of Rosie Huntington-Whiteley. Just like Dark of the Moon missed Mikaela (Megan Fox), Age of Extinction missed Sam Witwicky (Shia LeBeouf), just because followers of the franchise have already developed a relationship with the character and in addition that relationship between Witwicky and the Autobots. Mark Wahlberg is great in this film but in all honesty I didn’t care much for his character or the others, and that’s down to how cliched and cheesy they are. For the first time in a film, I actually disapproved of seeing a beautiful girl in short shorts, just because we’ve seen it so many times before in a Transformers film, why must it be a perquisite to have a gorgeous girl cast in these films. The good thing about Megan Fox and her character was that there was more too her than met the eye, she was a badass and had a legitimate reason to be involved with the transformers. Ultimately the characters are just bad, I mean the only reason I remember Shane (Jack Reynor) is because of his Irish accent.

Now the storytelling is pretty terrible, there are countless moments which could have easily been condensed and reduced the run time significantly, making for a less exhausting watch. The story alone is generic, haven’t we already had a government conspiracy plot line before. The most interesting thing about the film is the Transformers and their conflict between helping the humans or accepting they don’t want them there, and that’s where the tireless critique returns, make the transformers purely the heart of the films!

Despite the action being pretty well choreographed and executed, there’s so much of it that it really does suffocate you. The amount of shaky cam and low angle shots used within the long action sequences makes it so hard to concentrate on the screen. I had to look away and blink a few times just to make sure my eyes weren’t trying to wriggle their way out of their sockets. Admittedly I did enjoy the final action segment, just because it’s pretty hilarious and the urban warfare approach is totally my thing. I just wish they kept that same lighthearted tone from start to finish, because the worst parts of the film are when it tries too hard to be serious, and therefore sucking all the fun out of it.

Ultimately there’s no surprise towards how the film has turned out, we all know what to expect with Michael Bay films and especially when coming from the Transformers franchise. It may be time for a fresh face to take over and inject the imagination and inspired ideas that this film really missed. That being said if you’re in the mood for hardcore action to fry your brain then this will do the trick.

Off The Radar: Grand Piano (2014)

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grand_piano_still_a_lRoze-Rating: 3.5 / 5

Tom Selznick branded as the most talented pianist of his generation returns on stage for a comeback performance after five years of retirement, as a result of nightmare performance that halted his career in an instant. To add to his ongoing nerves, during the opening of his concert he discovers a message on his score sheet stating that he will be killed if he makes a mistake. While playing in front of a large audience, Tom must figure out who has him at gun point and for what reasons.

This isn’t your average thriller as the premise may suggest, and that may be why the film isn’t a complete flop. That being said behind the preconceived premise, the twists and turns that take place may not be as inventive as one hopes. What saves it from becoming a generic thriller is the direction of Eugenio Mira and performance of Elijah Wood, who has relished his freedom lately and taken up a number of low budget projects. Grand Piano is set in one location and is filmed in real time, yet it remains engaging and is rarely dull.

As classical music is, the camera work is elegant in its movement and is reluctant to use the same angles excessively keeping the location fresh but also working hand in hand with the music as a way of expressing the chaos taking place in front of a clueless audience. The cinematography as a whole is a good enough reason to watch this film. The editing is also masterfully utilized on occasions to symbolize violent acts, such as suddenly cutting to the stroke of a bow along a cello’s strings to show what crime had just occurred. Without the sophisticated camera work, Grand Piano would lack the thrills and tension which make the film at times exciting.

Upon doing some research I was surprised to find out that Elijah Wood has limited piano playing abilities and that most of what was filmed was the craft of his hands, and that alone merits praise for his performance. Having to concentrate on his precise hand movements, acting and listening to John Cusack via an earpiece takes some major multitasking skills and it totally succeeded. Despite not seeing much of John Cusack, his voice succeeds in being convincingly menacing.

It is an unusual film but that’s what gives it character, providing quite a pleasantly unique viewing experience. It’s tense when it intends to be and quirky in others, despite underwhelming twists and perhaps a payoff too, it’s a film definitely worth watching as a guide on how to make a low budget film that looks classy and is as intriguing as any other blockbuster thriller; and hey it make even convert you into a classical music enthusiast too.

Oscars Throwback: No Country For Old Men (2007)

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Movies_Movies_N__006313_Roze-Rating: 5 / 5

Llewelyn Moss is a Vietnam veteran living in the desolate lands of Texas. One day during a hunting session, he finds what would be a drug deal gone wrong. Along with dead corpses and a wounded man begging for water, he finds a black satchel with 2 million dollars inside. He takes the money and hides it in his house knowing people are going to be looking for it. His conscious gets the better of him as he wakes up in the middle of the night to bring water to the wounded man, a mistake as he gives vital clues to the one man with no morals when it comes to getting what he wants.

No Country For Old Men is an absolute gem of a film. For me, it ticks all the boxes for a perfect thriller with a wild west edge. As a shallow viewer it has enough suspense, violence and action to enthrall for the full viewing time. Even with its quiet, barren land demeanor. But for the sometimes sophisticated side of my brain, the narrative has enough substance for me to have come out with a much richer experience of the film.

As the title and opening monologue from old timer Sheriff Ed Tom Bell (Tommy Lee Jones) would suggest, it’s a film about the changing times. How a land which was once relatively safe has now become a harsh environment. Whenever we see the older generation on screen, they seem to be bogged down by unusual information or just odd behavior. A sign which says, times are more complicated and not as straight forward as before. Even for Sheriff Ed Tom Bell, he fails to put the pieces together quick enough to solve the drug deal gone wrong case. This isn’t to say he’s incompetent, he is the opposite, but it says that crime in the modern times are a lot more overwhelming.

The characters are also a great part of this film, the three main characters signify something different. We have the Sheriff who is an obviously good man. He has a loving wife and is also good at his job. Just like the old time’s, he’s laid back and composed but nothing less than a good person. There is the antagonist Anton Chigurh (Javier Bardem) who is a total psychopath, from the worst hair cut ever in film to his lack of remorse when killing people, he is the bad of the film. Since we are unaware of where he’s from and it’s apparent that he isn’t local, he seems to signify the unpredictability of modern evil and crime, sometimes referred to as a ghost. This may refer to the how the future is and what makes it so unsettling. He has no moral compass but believes in the power of fate, apparent from his coin toss game. As for Llewelyn Moss (Josh Brolin), he is right bang in the middle, as Uncle Ellis refers to some of his cats as half wild or outlaws. Moss is your every man, he’s been through a lot and understands the harshness of life. I like how he looks at the money with no expression and sighs “yeah” as if he already knows what he’s getting into but can’t protest against it. There’s some form of inevitability to it.

This film really is a cat and mouse thriller. Except the mouse is a cat too. Predator vs predator. It’s refreshing because we have characters who aren’t stupid. They’re all intelligent and know how to cover their tracks, they know how to defend themselves and when it comes to doing the deed, they can do it. Just as you think a character is missing something they respond with intelligence. It’s awesome to watch a film where you find it hard to criticize characters decisions but instead be left wondering “why didn’t I think of that”.

As for performances, well you have Javier Bardem in one of his first major English roles and will probably stand as his best for awhile. Think Silva from Skyfall but even crazier. I like that opening scene of him where he’s strangling that cop, just from his facial expressions you can tell that he’s a heartless bastard and it’s not the first time he’s attempted to kill someone. As good as Bardem is, Brolin totally knocks it out of the park for me. There’s something about his portrayal of the character. He’s just so slick and such a guy, a guy we all wish we could be. If I could pull off boots and a cowboy hat, I would, wouldn’t have to think about it, I’d be walking around looking like a total badass. (Brolin) “you got socks”, (Shopkeeper) “We only have white”. (Brolin) “That’s ok, whites all I wear”, that’s what it means to be a man right there. Tommy Lee Jones is business as usual and it was nice seeing some Woody Harrelson as well to make up a really great cast.

This was totally deserving of the Best Picture, Best Director, Best Adapted Screenplay and Best Actor in a Supporting Role (Javier Bardem) Oscars. A film back in the day that I wouldn’t have wanted to watch, purely because it’s absent of music. Thanks to more appreciation for films, that lack of music only adds to the film, putting us in the west with the characters and surprisingly adding suspense to the films more thrilling scenes. No Country For Old Men is truly a great film.

Oldboy (2004) vs Oldboy (2013)

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OldBoy VS

I chose to watch the remake before the original and immediately regretted that decision after realizing that this isn’t your average revenge flick. It’s a lot darker and filled with more surprises than I first anticipated. Going into the original knowing the general storyline and plot diminished the effect of the first half of the film, luckily due to changes in the remake there were still a few pleasant surprises and twists that I didn’t see coming. I think if I would have been a bit smarter and chose to watch the original first I would have instantly loved it.

The initial reasoning behind watching the remake first was to give it a fair chance so that I wouldn’t be comparing the two constantly, but this is just one of those films where this can’t be prevented. Firstly the story is unique providing plenty of plot twists to keep us guessing. Once knowing these twists, it’s hard to stop waiting for them to happen in the original. Luckily the remake didn’t stay completely true to the original and made a few plot changes but those were the only changes made. That’s what makes the remake incredibly pointless in my opinion. It didn’t offer anything new, apart from a western cast and a neo-noir tone. Why remake a film and change virtually nothing about it. Usually what you’d like to see in a remake is perhaps a unique style true to the director or something different creatively but the 2013 version felt lackluster and ultimately not worth filming especially when you have a pretty perfect counterpart.

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Oldboy (2013) – Roze-Rating: 3 / 5

We’re introduced to Joe Doucett leaving a lunch meeting drunk, what first seems acceptable turns unacceptable as he urinates in public and adds more booze into a soda cup before returning to work. He later shouts at his wife for nagging him to attend his daughters 3rd birthday party and hits on his clients wife who has no interest in him. It’s safe to say that he isn’t a pleasant man at all. We’re not meant to like him but we can tell that not even he likes himself as he spits at a mirror while staring at his reflection. He seems to have given up on himself. After a booze filled night he’s snatched off the street and awakens in an unfamiliar room which he’s trapped in.

We don’t really get a sense of that revenge until he is released from the room. Whilst in the room it’s more about his self improvement and redemption in order to be worthy of his daughters forgiveness when he is let out. I suppose that is what prevents him from going insane.

Without giving anything away this film tackles some dark themes which would make a lot of people feel uncomfortable, but this film lacked grit and an appropriate tone to support it. It felt too mainstream and lacked style, the cinematography, characters and locations felt generic which ruined what was supposed to be an eerie film about revenge. Instead it came off as your average blockbuster film.

What I liked about this film was the added noir tone. It felt appropriate during the scenes where Brolin and Olsen are trying to figure out who trapped him in that room. But then there would be an abrupt change in tone during Brolin’s hammer to skull combat scenes. Sometimes it would feel out of place especially the iconic hallway tracking shot. It was always going to be a hard scene to pull off and unfortunately it looked awkward. Having not seen the original before this, I can say that was my first reaction. Brolin was awesome but the extra’s made the scene feel gimmicky with over the top reactions and unrealistic movements, some moments were cool but others were off. Talking about extra’s, they seemed to burden the film with below par acting. Not only the iconic fight scene but a couple of flashbacks too. If someone points a shotgun at you, I’m pretty sure you’d flinch, at least a little bit.

Josh Brolin proves to be one of the few positives coming out of this film , showing that he can be a strong lead and carry a film. Another positive is Sharlto Copley, now cementing his status as king of accents. It may be slightly off in this film but his stiff interpretation of Brolin’s mysterious enemy makes him an intriguing character. It was interesting seeing Elizabeth Olsen for the first time, it gave me the chance to see if she’s Avengers worthy. She was solid but maybe due to the script she felt monotone. We don’t really sense her troubled past or any hardship, the only time we sense it is when it’s spoon fed to us or the first scene we see her with Brolin where she’s wearing a scruffy torn T-shirt, then minutes later we see her wearing a nice blazer. The only thing that signified to me was whether she was homeless or not, not every druggie has a torn up shirt!

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Oldboy (2004) – Roze-Rating: 4.5 / 5

Oh Dae Su is an obvious alcoholic as we’re introduced to him at a police station being a nuisance. He says all he does is try to get through the day, which suggests he struggles in life and in a way might have already given up. He may be unhappy but he shares a sweet spot for his daughter despite continually being absent from her life. From the opening we know he’s done some bad things and may not be a pleasant person. Before we know it he’s been picked up from the side of the street and trapped in a room.

Compared with the newer version, the transition to his entrapment is a lot quicker, you could say the remake spoon feeds the audience the plot and also gives us a more direct interpretation of the character. With Oh Dae Su we can understand him the way we want to. There’s more emphasis on his growing insanity within the room which the remake didn’t touch on, to put the cherry on the top there’s an explanation to why he never gave in to the insanity which is what I was wondering the whole time. When he’s released he saves a man from committing suicide but it becomes apparent that he hasn’t completely changed, he still lacks compassion but he’s fitter and driven with only revenge on his mind. In that respect there is more emphasis on revenge which the remake didn’t have.

Themes of vengeance are relevant throughout the film, when we learn more about the person who trapped Dae Su. We learn the extent to which revenge can go and what holding a grudge can do to a man. For Dae Su, remorse slowly creeps in on him once he figures out who the mystery man is.

Performances are great from everyone in the cast. The lead Min-sik Choi is phenomenal, a character which will stay with me for a long time. He finds the perfect mix of grit, anger and insanity. Gang Hye-Jeong plays the female supporting role convincingly, we buy into her loneliness and hurt, making her a character we believe in. Playing the mystery man is Ji-tae Yu who is portrayed as this charismatic, suave, insane, evil man. In terms of antagonists, this is as good as it gets.

The blend of violence and dark humour is emphasized by the films overall offbeat tone. It gives the film consistency and style which the remake lacked. The screenplay is also better with narration, memorable quotes and metaphoric messages that move the narrative along nicely. There’s no question to why this is a cult classic, I’ve not seen a film as interesting, fast paced and intense as this in a long time.

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Verdict

The original is miles better than Spike Lee’s remake. I’m all for a remake, but only if it’s justified. Foreign films have been adapted before, it’s not uncommon, but usually there’s a unique spin on them. For instance Prince Avalanche and The Departed. What makes the original so much better is the script, it has all the plot holes filled which the remake had. I don’t understand why you would take a film with a perfect story line and change little things like making the protagonists imprisonment 20 years instead of 15. Little things that create plot holes. As for the characters, as good as Josh Brolin is, he doesn’t come close to beating Min-sik Choi and his awesome hair. But even overall the characters are richer in the original. I didn’t like Elizabeth Olsen’s take on the female role at all. I didn’t buy into her vulnerability as much as Gang Hye-Jeong’s Mido. As for the antagonist, Sharlto Copley was absolute gold but it didn’t feel appropriate for a film like Oldboy, he felt gimmicky. Ji-tae Yu was just as suave as Copley but his anger and desire for vengeance felt real, you almost feel for the character. Overall Chan Wook Park’s film smashes the remake… in the skull… with a hammer.