The Hunger Games: Mockingjay – Part 1 (2014)

SS_D8-3371.dngRoze-Rating: 3 / 5

The penultimate chapter within The Hunger Games franchise brings us to District 13, home of the rebellion. Katniss (Jennifer Lawrence) is not in the best of shapes following the chaos of her quarter-quell Hunger Games and still grieving the capture of Peeta (Josh Hutcherson). She is reluctantly roped into becoming the face of the rebel forces with the hopes of saving Peeta as motivation. In order to defeat the Capitol, Katniss must embody the Mockingjay and lead the revolution towards victory.

I absolutely loved Catching Fire, so much so that it ended up being in my top ten films of 2013. It was everything that I wanted the first Hunger Games to be. It was grittier, action packed and free from unnecessary shaky cam! Which is why I was totally excited to be watching Mockingjay – Part 1 especially knowing Francis Lawrence was returning to direct it. Having ended on such a massive and intense cliffhanger, I was ready to see Katniss kick some ass and give the Capitol a taste of their own medicine. Of course you can guess that I was thoroughly underwhelmed by this film. My initial reaction leaving the theater was of annoyance having spent money on a film that didn’t really deliver on what I wanted to see but having also endured the smell of sweaty prepubescent teenagers for nothing (I can’t talk). On a business stand point I totally understand why splitting the last book into two films is smart and inevitable in today’s film industry, but I really did not see the ‘need’ for it cinematically. I think if the film was marketed as what it really is which is more of a darker character drama rather than an action packed film about revolution, then I probably wouldn’t be too bummed out about it.That being said, having reflected on the film and let it sit with me for a day, I respect what the film does and maybe after seeing Mockingjay – Part 2, it could end up being the perfect sibling to the ultimate finale. It doesn’t help that we have to wait another year to see it, which is why ultimately it just feels like an extended cliffhanger of Catching Fire.

I really wanted to like this film, and I did up until about halfway through where things started to feel a bit dragged on, overdeveloped and quite frankly slow. Stuff happens but really in the full scope of the franchise, not much really does, which is why the ending didn’t have an impact on me at all. I wasn’t shocked. It ended and I hadn’t learnt or felt any differently towards President Snow or the Capitol; I still hated them the same as I did in the last two films. It was just underwhelming and I could feel it within the theater, the energy was relatively low and people left without a commotion. I remember seeing Catching Fire and after that ending I was just blown away with excitement. I wanted that reaction.

That being said I don’t think the film is completely unnecessary, it’s a part of the story that needed to be told and is actually quite interesting. For a teen franchise, some of the themes are mature and compelling. I really liked the way they represented the rebellion and fleshed out how impactful propaganda can be on a revolution to push an agenda. It was also interesting to see how Katniss coped with being the face of the revolution and dealing with the pressures of being looked up to for inspiration. At points during the story I felt like I should be resenting Julianne Moore’s character and the nature of the rebellion based on how they were treating Katniss. I feel like there was a missed opportunity to represent revolution as a negative force although essential for change. Although these were interesting themes, it eventually became a bit tiresome as the narrative was stretched as far as it could go. The story never develops and in all honesty nor does Katniss. I was waiting for her to truly ’embody’ the Mockingjay and relish the position, but she never really does. Another reason for why Mockingjay – Part 1 ultimately feels incomplete.

Despite the film being shot gorgeously and the dystopian set pieces being well realized, I felt some of the scenes were edited frustratingly. Two scenes stick out to me at the end. Both having to edit in and out of simultaneous events. (Spoiler) The rescue scene was incredibly frustrating to watch for me. Even though I liked the Zero Dark Thirty feel about it, they completely milked that scene for everything it was worth. It went on for what felt like 10 minutes while Katniss and Snow faced off in a less than thrilling battle of wits, and by the end of what was supposed to be a suspenseful moment just didn’t work for me. It was frustrating because I loved how it was shot, the tinges of red, the way the camera followed them and the stealth. And how many speeches did we get in that film? It felt like too many.

Despite all the disappointment I could not help but admire Jennifer Lawrence’s performance, who is only growing from strength to strength as her career goes on. Nevertheless I really started to miss the no nonsense Katniss we grew so fond of from the previous films as her infatuation with Peeta increased. I can’t tell if she’s truly in love with him or if she feels guilty for the situation he’s in. Either way it’s an interesting relationship and somewhat a larger focus of this film.

Mockingjay – Part 1 isn’t necessarily a bad film, it has strong performances, interesting narrative elements and brilliant shots. Nevertheless I don’t think it merited its own film and could have easily been condensed into 45 minutes. I could understand fans loving this film as it more or less stays true to the book, but I’d much rather watch a 3 hour Hunger Games film that sticks with me forever than a 2 hour film that I’m most likely going to forget. But I doubt the studios care, because they know people like me will still buy a ticket for next years Mockingjay – Part 2!

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Oscars Throwback: No Country For Old Men (2007)

Movies_Movies_N__006313_Roze-Rating: 5 / 5

Llewelyn Moss is a Vietnam veteran living in the desolate lands of Texas. One day during a hunting session, he finds what would be a drug deal gone wrong. Along with dead corpses and a wounded man begging for water, he finds a black satchel with 2 million dollars inside. He takes the money and hides it in his house knowing people are going to be looking for it. His conscious gets the better of him as he wakes up in the middle of the night to bring water to the wounded man, a mistake as he gives vital clues to the one man with no morals when it comes to getting what he wants.

No Country For Old Men is an absolute gem of a film. For me, it ticks all the boxes for a perfect thriller with a wild west edge. As a shallow viewer it has enough suspense, violence and action to enthrall for the full viewing time. Even with its quiet, barren land demeanor. But for the sometimes sophisticated side of my brain, the narrative has enough substance for me to have come out with a much richer experience of the film.

As the title and opening monologue from old timer Sheriff Ed Tom Bell (Tommy Lee Jones) would suggest, it’s a film about the changing times. How a land which was once relatively safe has now become a harsh environment. Whenever we see the older generation on screen, they seem to be bogged down by unusual information or just odd behavior. A sign which says, times are more complicated and not as straight forward as before. Even for Sheriff Ed Tom Bell, he fails to put the pieces together quick enough to solve the drug deal gone wrong case. This isn’t to say he’s incompetent, he is the opposite, but it says that crime in the modern times are a lot more overwhelming.

The characters are also a great part of this film, the three main characters signify something different. We have the Sheriff who is an obviously good man. He has a loving wife and is also good at his job. Just like the old time’s, he’s laid back and composed but nothing less than a good person. There is the antagonist Anton Chigurh (Javier Bardem) who is a total psychopath, from the worst hair cut ever in film to his lack of remorse when killing people, he is the bad of the film. Since we are unaware of where he’s from and it’s apparent that he isn’t local, he seems to signify the unpredictability of modern evil and crime, sometimes referred to as a ghost. This may refer to the how the future is and what makes it so unsettling. He has no moral compass but believes in the power of fate, apparent from his coin toss game. As for Llewelyn Moss (Josh Brolin), he is right bang in the middle, as Uncle Ellis refers to some of his cats as half wild or outlaws. Moss is your every man, he’s been through a lot and understands the harshness of life. I like how he looks at the money with no expression and sighs “yeah” as if he already knows what he’s getting into but can’t protest against it. There’s some form of inevitability to it.

This film really is a cat and mouse thriller. Except the mouse is a cat too. Predator vs predator. It’s refreshing because we have characters who aren’t stupid. They’re all intelligent and know how to cover their tracks, they know how to defend themselves and when it comes to doing the deed, they can do it. Just as you think a character is missing something they respond with intelligence. It’s awesome to watch a film where you find it hard to criticize characters decisions but instead be left wondering “why didn’t I think of that”.

As for performances, well you have Javier Bardem in one of his first major English roles and will probably stand as his best for awhile. Think Silva from Skyfall but even crazier. I like that opening scene of him where he’s strangling that cop, just from his facial expressions you can tell that he’s a heartless bastard and it’s not the first time he’s attempted to kill someone. As good as Bardem is, Brolin totally knocks it out of the park for me. There’s something about his portrayal of the character. He’s just so slick and such a guy, a guy we all wish we could be. If I could pull off boots and a cowboy hat, I would, wouldn’t have to think about it, I’d be walking around looking like a total badass. (Brolin) “you got socks”, (Shopkeeper) “We only have white”. (Brolin) “That’s ok, whites all I wear”, that’s what it means to be a man right there. Tommy Lee Jones is business as usual and it was nice seeing some Woody Harrelson as well to make up a really great cast.

This was totally deserving of the Best Picture, Best Director, Best Adapted Screenplay and Best Actor in a Supporting Role (Javier Bardem) Oscars. A film back in the day that I wouldn’t have wanted to watch, purely because it’s absent of music. Thanks to more appreciation for films, that lack of music only adds to the film, putting us in the west with the characters and surprisingly adding suspense to the films more thrilling scenes. No Country For Old Men is truly a great film.