Rush is based on the true rivalry between Formula 1 drivers James Hunt and Niki Lauda during the racing season of 1976. It’s a story about two sportsmen with different outlooks on life and racing. Despite their seeming hatred of each other, there’s one thing that set’s them apart from other rivalry’s, they respect the effect it has on their lives.
What makes this film great is the attention to detail given to make this true story as real as possible on the big screen. If you are unaware of this rivalry and Formula 1 in general then I wouldn’t advise to go looking up the story. For me, not knowing anything about these two guys made it a much more thrilling watch. Your constantly wondering how far these drivers will push themselves to win, and whether or not they will go too far. It definitely makes that last race an edge of the seat moment. After the film though, having done some research and youtube-ing, it’s quite remarkable how much detail went into this film. From the costumes to the accents, almost everything about this film is spot on. Of course parts of the film are dramatized but it’s essential to telling this story as effectively as possible.
The casting is great, as a result of this we get two of the best performances of 2013. Chris Hemsworth and Daniel Bruhl don’t only look like the famous drivers they are portraying but sound like them too. Hemsworth captures the bad boy persona of James Hunt perfectly, with a you-only-live-once swagger. You buy into his character because he doesn’t race because of the lifestyle it brings, he races because it supports the lifestyle he lives. He respects the dangers of F1, therefore sympathizing for the men that get into accidents every season. Niki Lauda of course is the complete opposite. Bruhl presents Lauda as a cold, calculated racing driver, always acting on statistics and not emotion. If a fellow driver spins out or crashes, he shows no compassion but criticize their technique. He may sound like an antagonist but his conflicting behavior between winning and actual happiness gives us a reason to care for this character.
The cinematography is brilliant throughout the film, giving us the perspective of the driver during these relentless races. It makes the racing scenes more of an adrenaline inducing experience. As for it’s overall look, the shiny shades of orange and colour filtering make it great to look at. It feels as if we are in the 1970s as well as watching a documentary about it. Everything from the camera angles and the colours used to the back commentary and interviews.
It’s definitely one of the best rivalry stories I’ve seen on film. I like how the story doesn’t make the rivalry dirty or unpleasant but rather inspiring for both drivers. They use it as a way to push each other harder, a way to learn from each other and ultimately a way to feel alive. During the journey of the season, we realize that there’s a lot more respect within the rivalry than we think. That’s what makes the final scene quite a compelling moment.
Seems like ages ago since I saw The Hunger Games in the cinema, because of that I can’t say that the film stuck with me. It was definitely an entertaining watch because of an awesome protagonist with lethal bow and arrow skills, but it lacked some grit. I’m not saying that it never had any but the fact that we never really get to see blade and flesh make contact diminished the affect of the Hunger Games concept implemented by the Capitol. Maybe that’s just me having watched too many Nicolas Winding Refn films. As for the sequel, it has to be one of the biggest surprises of 2013 for me. I did not expect much with this sequel having not read the books, I thought it would be the same formula (which it kinda was) but did not expect such an explosive ending and cliffhanger. Because of that, it was one of my favourite films of 2013.
This film is everything I wanted the last film to be. It had mind games, thrilling obstacles, conspiracy, likable characters and most importantly an arrow to the knee. What I liked about the beginning of this film is that we’re instantly thinking about the last film. How it ended and why Katniss is suddenly kissing some other dude who we haven’t actually seen much of. Once we learn that her berry antics were all for survival, we subconsciously think more about the decisions these characters make.
The tone remains consistent with the first film except it’s more intense and gritty aided by the story’s progression as we learn more about Snow and the Capitol. Katniss is obviously affected from her experiences in the Hunger Games which makes her a lot more stubborn than I remember. She can’t really trust anyone nor can she trust her decisions. Jennifer Lawrence make’s this role her’s, in a franchise I really didn’t expect to take off as well as it has, luckily it feels like it’s going to get even better.
If you thought the first film looked great then get ready for another film with innovative costumes, diverse set designs and beautiful cinematography. This film truly looks great with it’s crisp visuals especially when we get to the exotic Hunger Games dome and the CGI kicks in.
It may annoy some people but the cliff hanger we’re left with felt weirdly satisfying for me. I’ve never felt so intrigued and surprised and annoyed at the same time. But what tied these feelings off perfectly was that last close up on Lawrence’s face. For this franchise that moment will be the most iconic, when Katniss turns into more than a Hunger Games contestant but a symbol for all existing districts to look to for hope. As a result of that I never would have thought I’d be so desperate to see a Hunger Games sequel.
Richie Furst (Justin Timberlake) used to have a job on Wall Street until the economic meltdown forced him out of the business. To make his way back up to a high paying job again, he refers university students to an online gambling website to finance his masters degree. After getting caught and threatened to be kicked out of Princeton, Furst carelessly bets his money away on an online poker site with hopes of gaining enough winnings to pay his tuition fees. He soon discovers that he had been beaten unfairly and goes straight to the source to rectify it, Ivan Block (Ben Affleck).
Runner Runner was probably the longest hour and a half film that I’ve sat through this year, which says a lot. It’s disappointing as the film has a promising premise. The opening initially set up the potential for a decent flick but its intelligent characters ultimately didn’t fit in with the shallow narrative.
The film could have been genuinely thrilling as it had the ingredients for an explosive thriller. It had interesting characters and an uncommon premise. But the film feels bland as it has no particular direction or form of development. Ultimately it’s a film telling a series of events. What it needed was more emphasis on Richie and even Rebecca (Gemma Arterton), as the film covers the themes of greed and entrapment within the criminal world. They grow as characters but Runner Runner doesn’t even explore these themes or even the development of these characters. In the end we don’t really know who Richie is.
He’s obviously attracted by the prospect of high finance and because of that he doesn’t do the most ethical things. Although he believes in fair gaming in the business sense and is also a business wiz, yet we see him partake in immoral forms of business negotiations. There’s contradictions in his values because of money. So I was expecting some form of change from his character once sh*t got real, but only until he sees his life in danger does he change, but that’s a totally meaningless reason. The only meaningful moment in the film is when Richie’s dad tells him to leave him behind since he’s been a “dead man walking for 15 years”. That is the only defining moment where Richie realizes greed’s negative effect. But by that time, it’s way too late.
The only positive within this film is Gemma Arterton (duuh) and the locations. Both are stunning and sun kissed. The cinematography is colourful and glossy which make’s Runner Runner easy on the eyes. That being said we should have seen more of Arterton, not because she wears those dresses flawlessly (probably accounts for quarter of my rating) but because I think her character could have had a bigger impact on the story. Though it still would have taken more to improve this flick.
Every year I watch a shiz load of films, ranging from the brilliant to the utterly terrible, but there will always be that odd film that some how finds its way to me and strikes the sweetest G-Chord within my heart. The Spectacular Now is that film for me of 2013.
Ever since The Descendants I knew I was an instant fan of Shailene Woodley and had been waiting to see her follow up film for quite a while. And what a film. Just as The Descendants was, this film is down to earth and totally real. Miles Teller plays Sutter Keeley, a kid on the brink of adulthood. We meet him as he struggles to begin his college application, unsure of how to put his life into words. He seems like he has his sh*t together as we indulge in his large personality and his way of words, but once we’re exposed to his constant alcoholism we know something is up. What makes this such a relatable film is Sutter’s predicament. He’s lived in the now for all his life and has struggled to do anything productive with it. He may have heaps of fun but during a time of his life where a future plan matters he becomes stuck. His girlfriend dumps him for the pure reason that he has no ambition. Then Shailene Woodley’s character Aimee Finecky comes along and gives him a bit of a pick me up. Aimee is the complete opposite of Sutter, she’s down the chain on the social ladder and has dreams of finally leaving for college although stunted by her mother. Sutter befriends her in the hope of helping her out.
There’s films out there which make you wanna cry because devastating stuff happens in them with that sole outcome in mind, but then there are some films which make you wanna cry because you connect so much with the characters and the films themes that they are more tears of inspiration than sympathy. I wont lie, by the end of the film I felt quite emotional. It was odd because I’ve never felt so emotional for such a character triumph. Something so simple yet profound. I’m at a similar time in life as this Sutter kid which is why it probably felt so relatable, and because of that I may have left the film slightly a better person.
What I like about this story is that there’s no defining character that helps grow Sutter. From watching past coming of age films there’s usually a father figure or someone that can be looked up to who knocks some inspiration into our lost soul, but in this film, it took getting to his lowest point to finally grow. Sure there were characters along the way which were important but at the end of the day if you can come to terms with your problems then you can look for a solution. That’s what makes the final scene so good, it’s ambiguous but does it really matter? (You’ll see)
The cinematography is earthy capturing the human element of young love and uncertainty pleasantly. Along with the score which slowly develops from upbeat to endearing to melancholy.
As for performances, Miles Teller has the potential to be the next Vince Vaugn of sorts with his natural ability to bring charisma to a character. Saw him for the first time in Footloose then 21 & Over this year. He has no problem with running his mouth rampant and when put in the right film, it comes out positively. Hopefully he sticks to movies such as this and doesn’t over do this type of character as some actors do. Shailene Woodley co-stars and offers another great performance. Really looking forward to her new franchise film next year, Divergent, I don’t care if it seems like a Hunger Games copy, I’m sure she will bring something to the films.
What really makes these performances stand out though is the chemistry between Woodley and Teller. The last time I saw legitimate awkwardness and realism brought to teen love was last years Amazing Spider-Man, maybe I need to watch more films if that’s the case. But everything about their interaction is something I’ve been through, and for that reason it felt so real.
The Spectacular Now is a coming of age tale that starts off upbeat then hits you with emotional substance. It’s engaging and totally relatable with great leads and raw chemistry. One of my favourites of 2013.
Sarah Moss (Brit Marling), former FBI agent, starts her new career at an intelligence agency forcing her to go undercover and collect information from anarchist group The East. All members of the group carry aggression against massive corporations that harm the environment around them. Determined to make an example of their careless actions they plan a number of “jams” to expose their true contributions to the world. During her undercover work Sarah grows attached to the groups cause, although disagreeing with their methods.
The East is as much a political thriller as it is a study of humans in modern society. Throughout the film we contemplate who the bad guys are, who we should root for and our way of life. We are presented with two sides, self righteous anarchist group The East with good intentions but questionable actions and the corporations who on the surface look like they want to aid the world but ultimately want to help themselves. At first one side seems the obvious bad guy as they are branded as terrorists but once we get to know them as individuals and their reasons we question the word terrorist. They may not do anything drastic as all they want to do is give the corporations a taste of their own medicine (LOL) but eventually the seeming leader of the group (Alexander Skarsgard) gets too deep into the cause.
It may not be as thrilling as you’d like it to be but it does hold some thought provoking questions backed up with fascinating scenes exposing an idealistic view of human life. For that reason this film is an enticing watch. One scene that got to me was a quite freaky but weirdly beautiful scene of the group eating at dinner, once you see it you’ll understand. The film holds an eerie tone from the ghostly score to the bleak cinematography. It looks and sounds fitting to its premise and message giving these scenes of human nature more than it appears.
It really is a film of moral high ground, leaving it to us to make our own choice about who takes that place at the top. Although towards the end it may have chosen for us. I felt it had too much of a Hollywood ending; it just didn’t fit the ambiguity of the film. Nevertheless the themes of human nature, relationships and politics make it an enjoyable film.
Despite having to strain my ears to understand some of the actors, the performances were solid. I felt there was too much mumbling and not enough projection in their speech but maybe I’m going deaf from all these loud action films nowadays. Anyways kudos to Brit Marling, previously saw her in Arbitrage playing a minor role. After researching more about her I learnt that this is her third written project, previous projects being Another Earth and Boxers & Ballerinas, which brings me to the assumption that she is massively talented. I’ve not seen all of her films but I look forward to it as she’s done a great job acting but also co-writing this film. She’s more than eye candy but someone with real potential in both the written and acting side of film. Her character has substance, she has a hard exterior but sees arrogance as a weakness; I like how she was branded as perhaps “not soft enough” for The East. In the end that balance gives her a greater moral conclusion to the problems expressed. I’d also like to see Toby Kebbell in more things, loved him in Rock’n’Rolla.
If you liked The International (Clive Owen) but thought it was too out there, then this film will bring you back to earth and maybe even further.
Prisoners is a suspenseful thriller that plays off the tragedy of two families and the dedication of one detective. The film follows two main protagonists, Jake Gyllenhaal and Hugh Jackman during their antagonizing search for two missing girls. They both offer compelling performances giving us a raw insight on how the mind works in situations illustrated in this. It’s a film about the lengths we would go to in order to protect our children, how far is too much? and is it really worth it in the end? Jackman portrays a man so consumed by his emotions that he takes matters into his own hands, ultimately committing the same crime he is mourning over. We’re left wondering if his actions are counterproductive as he neglects the very people that are in it with him. Gyllenhaal plays a cop with an 100% record for solving cases. From the go we know that he isn’t committing to a family or a girlfriend as he sits alone in a restaurant making small talk with a waitress. His exaggerated blinks expose his tiredness and accepting a call without hesitation reassures us that he’s a legitimate cop.
I can’t say I enjoyed this film as much as I wanted to. I found myself trying to connect with the characters and relate to their emotions a bit too hard. This could be down to not having kids myself but that being said I’ve definitely felt similar emotions having lost my little sister for a split second, not pleasant (bad brother). We’re introduced to the (going to be) lost children during the opening act and a lot of emphasis went to them allowing us to get to know them and ultimately tap into their parents emotions once they are missing. It’s executed perfectly as the suspense is heightened emphasizing their parents increasing fear. The following scenes are emotional as we see these two families searching for their children. Unfortunately for me what follows disconnected me from the film slightly. It starts to focus on Jackman’s character and his gradual surrendering to his dark emotions . His story is compelling but I felt we needed more insight to the other characters within the two families in order to get a well rounded sense of the family’s well being. Eventually I kind of forgot about them.
I would say this is more of a crime drama than anything else and that’s what I liked about it the most. The search is realistic, we never really know what’s happened til the end and the suspense is masterful. In terms of characters I resonated more with Gyllenhaal’s character more than any one else, I think you rarely see a film where you feel like your in the detectives shoes and this film explores that really well.. When his character is faced with the parents you feel for both of them since you can understand the frustration that’s expressed by the parents but you also sympathize for the detective for having to deal with aggression coming from the very people your busting your ass to help. I’ve not really seen that in cop films very much.
What really makes this film are the performances. Without the high caliber performances we wouldn’t be getting these raw emotion on screen pushing our emotional buttons. Hugh Jackman gets so intense I was just waiting for those wolverine claws to spring out. I mean this guy can be scary when he wants to. Jake Gyllenhaal is a total badass, from his no nonsense demeanor to his slick haircut. Little details like his hard blinking make his character real, great performance. A performance that may get overlooked is Paul Dano’s interpretation of a troubled kid slated as the main suspect for the kidnappings. I mean I’ve never felt sorry for a person that frustrates me and creeps me out at the same time. There’s a hint of innocence in that performance that I don’t think many people could do.
Prisoners may get frustratingly slow at times but it makes up for it with it’s gloomy tone and still camera work. The suspense will get your heart racing and the performances will engage you. Even though it may be a bit too long, it’s still worth a watch as one of the better dramas of 2013.
Europa One will be the first spacecraft to carry Men and Women deeper into space than ever before. Their mission is to board one of 63 of Jupiter’s known moon’s, Europa, one of the closest habitable places in our Solar System. The crew set out for a long journey to their destination leaving them alone in space after communication breaks down with earth. They have to conquer the danger’s of space but also their mental well being.
Europa Report adopts the found footage style of film making, and with editing it literally feels like a documentary/news report. Since the premise sets up a groundbreaking time for mankind and space travel, camera’s are set up within the spaceship so that earth can follow the crew’s every move. This gives the films style a rational reasoning. For its low budget I think this was a pretty smart move because it made little weaknesses in special effects forgiving and added some form of realism to the film. Overall we’re given an even better insight to life in space, if not thrilling it is definitely interesting.
What I found is that this film really focuses on it’s science more than cheap thrills or cliched disasters. Europa is actually the closest habitable place in our solar system and could possibly hold some form of life, we have no idea and in that respect it is quite thought provoking. I’m not much of a space nerd but it does provoke questions about space and life that I rarely think about. If your truly into Sci-Fi and enjoy the Sci more than the Fi then Europa Report may be up your ally. To me it’s what diminished the enjoyment of the film, I quite like thrills and good special effects when it comes to Sci-FI and this didn’t offer much. There was definitely a sense of suspense when intended but I’d like to see more out of a film set in a place that’s actually reachable. All the science stuff kinda went in one ear and out of the other because you expect it to be nonsense.
It was nice seeing some familiar faces in the cast. Sharlto Copley probably the bigger of the few, known for his work in Sci-Fi. Of course he plays more of a tame character in a realistic setting this time as opposed to his over the top badass’s. If your a fan of Dexter, it will be quite a reminiscent moment seeing Christian Camargo again AKA Rudy; luckily over his serial killer ways. The rest of the cast includes Michael Nyqvist (Mission: Impossible Ghost Protocol), Daniel Wu (The Man With The Iron Fists), Anamaria Marinca (Five Minutes of Heaven) and the lovely Karolina Wydra in her first major film role. In honesty there are no major performances, what the film lacked was chemistry between the group. The only character that seemed to be connecting with other characters was Sharlto Copley. Other than that they were solid.
There’s a lot right with this film, and it shows that you don’t need explosions and relentless action to make a film good. I don’t know why people would compare this to scarface, despite its familiar themes, yes it is about a man trying to change his life around, but I feel that the modernized and improved film making makes this a lot more thrilling especially the train station scene, which will stand as one of my favourite scenes in film. The storyline is great and ultimately leads to the message that loyalty can make you a good person inside but in the gangster world it doesn’t mean jack, cause they’re all in it to get rich and survive (Like they say there’s no honour amongst thieves). Despite Carlito’s constant reminders that times of loyalty have changed, it’s too late before he realises that the person he can really trust with his life is the woman he loves. You can tell where the Grand Theft Auto games get their inspiration from, cause this film cry’s out Tommy Vercetti, and just the way the characters carry themselves out and Sean Penn’s character is hauntingly familiar. Saying that, the character development of David Kleinfeld is so intense, showing a man being slowly corrupted from the paranoia the gangster lifestyle brings. Easily one of the best genuine gangster films around.
“I live by ‘Go big or go home.’ That’s with everything. It’s like either commit and go for it or don’t do it at all. I apply that to everything. I apply that to relationships, I apply that to like sports, I apply that to everything. That’s what I live by. That’s how I like it.”
The last thing I expected to see on the news on a Sunday afternoon was the death of Fast & Furious star Paul Walker. I’m not usually a guy to get emotional about celebrity deaths but this was different. Getting news that the star of a film franchise, that I’ve watched countless times, died got to me a little as I sat back in silence for a few minutes. He intrigued me as an actor but I’ve put back watching his movies for quite a while now. There’s no lying that he may not have been the best actor during his earlier years but as the Fast & Furious movies progressed he seemed to grow drastically and matured into a solid actor. As a tribute to his career and the famous film franchise he has left behind, I shall finally watch his films!
Running Scared – (Roze-Rating:4 / 5)
And I thought Fast 6 was relentless. In this gangster flick we see Paul Walker caught in the middle of a series of fuck ups. It may not attempt to do anything emotionally substantial but what it does do is provide us with almost two hours of cussing, blood and commotion. It may not sound appealing but to anyone who likes the combination of gratuitous violence and gangster warfare then this may be the perfect film to curl up with your girlfriend to, providing she’s into that. Paul Walker puts it all out there with probably his best performance in film, he shouts “fuck” numerous times, lays in his own blood and even drives his car recklessly (for any fast and furious fans), the whole package right there. What this film does do in substance is show us that the world is a messed up place filled with sick people, for every good deed could lead to a bad one, who can we trust really? Its style may annoy you as the editing is fast paced but it may just intrigue you as it did me, hitting home that chaotic tone you get from start till finish. You may not remember it for long but when someone asks you “do you know any fucked up films which will make me cynical of the world but make me laugh at it at the same time?” then Running Scared will come to mind.
Eight Below – (Roze-Rating: 4 / 5)
When we see a movie associated with Disney we already know a few things about the film, it’s going to be inspiring, emotional and cute. Those assumptions were true for this film. It wasn’t cute in a sickly way; I mean would you look at those dogs. Paul Walker is a guide for a base located in Antarctica which involves taking care of eight sled dogs who ultimately become stars of the film as well. What I like about this film is that it’s as much of a survival story of eight dogs as it is a sad story of loss and loyalty for Jerry Shepard (Paul Walker). This film proves that dogs surprisingly can act, they may not be aware of it but as a group they illustrated many human emotions. Their survival story is just as good as any as they show loyalty to each other and grief when tragedy hits. At the end of the day there wasn’t much to the rescue not like the first third of the film where we’re exposed to the extreme conditions of Antarctica and just how unforgiving the barren land is. It’s the fact that Shepard is determined to attempt a rescue because he feels he owes that to the dogs. Even animals can create that bond with humans. It’s quite a heartwarming story of friendship, loyalty and persistence for both man and his best friend.
Takers – (Roze-Rating: 2.5 / 5)
Walker stars alongside an ensemble cast in this cops and robbers thriller. With the likes of Paul Walker, Idris Elba, T.I., Chris Brown, Hayden Christensen and Michael Eely as the robbers and Matt Dillon as your over working cop, it sure is a star studded cast for the audience to enjoy. Takers is a completely by the books film as they take the most clichéd formula from the heist genre. It had so much promise at the start but fizzled out into a film with no heart. The problem is that it’s too ambitious for its own good but too scared to take risks, as we see reused idea’s from other films living up to its name “Takers”. We have an Ocean’s 11 team (who have the same taste in personal vehicles as the modern Italian job crew), a divorced cop (hasn’t taken the memo and still works too hard), a matrix dive and a Mexican standoff; hardly original. What this film says to me is that they had a concept then wrote a script as fast as they could because what started off so well ended up being so bad. The opening scenes are brilliant as we are taken through what seems like a standard heist for this crew, they’re smart about their entrance, collected during their robbery and slick with their exit; more of that please. Then we get to learn more about the characters, we see them draped in the best suits money can buy obviously addicted to their materialism which is probably what got them into the heist game in the first place. when Dillon gets close to the team’s next heist, that’s where things get interesting, the goose chase is engaging but its final act isn’t. We’re hit with slow mo sequences dubbed with dramatic music, what’s meant to be emotional isn’t. There’s no good reason for what’s happening therefore nothing comes of it. At least it holds a few positives like the opening heist and Brown’s on foot chase, filmed terribly mind you but it was exciting none the less. Unfortunately films aren’t viewed for its potential but for the execution and sadly it wasn’t executed well enough.
Fast Five – (Roze-Rating: 3.5 / 5)
It definitely takes a different angle of the franchise, remolding it into a full on heist film. Fast Five is a lot louder, thrilling and action packed compared to its predecessors making it possibly the best of the series; just as it was about to become boring. Despite the relentless action, I felt it became too much in the end. Ultimately all I can remember is loads of music and not much dialogue. Sometimes it’s good, but in this case, whenever there was dialogue it was incredibly cheesy and cliché, which didn’t give the action justice. Even though it was let down in that aspect of the film, the cast were still solid as usual exuding badassery. Seeing members from previous films teaming up was awesome to see, definitely a lot of fun.
Into The Blue – (Roze-Rating: 3 / 5)
Into The Blue takes us into the unknown where mistakes are unforgiving but if treated with respect can be hugely rewarding. With a large interest in marine biology, Walker tackles another one of his passion projects on the big screen. Filled with under water sequences and breathtaking scenery it’s definitely not an ugly movie especially when Jessica Alba is in the shot. It may not be your typical treasure hunter film as it doesn’t capture adventure like your classic Indiana Jones films but it does take you to the bottom of the sea where most of us have never been and that alone is engaging enough. If you’re like me and have a fear of sharks and think drowning is the worst possible way to die then you’ll be holding your breathe involuntary throughout this film as the underwater scenes immerse you into their world. That alone makes this a film worth watching for a Saturday night at home. It has a decent plot, decent cast and decent antagonists, it’s not the best film but it’s not the worst. We’re given likeable characters to root for which is enough as the script is quite thin, I guess what it misses is more excitement when their out of the water but then again hunting for treasure is repetitive and in reality isn’t as exciting as it may seem.
Varsity Blues – (Roze-Rating: 4 / 5)
If you want a slice of America then you can definitely find it here. This film screams USA! USA! USA!, because nothing is more American than football! Varsity Blues is clichéd, cheesy and tastefully rude as we’re given an insight to your average football town and their team the West Canaan Coyotes. It may not have the most original characters but it doesn’t fail to pump you up when intended and I don’t even know anything about American football, I’ll be honest I don’t even like it, but what I do respect is that it sure can make a nail biting film. This film is like a combination of Dazed & Confused and The Longest Yard (only other American Football film I’ve seen) as it captures both the antics on and off the field. In Varsity Blues case the antics off the field are a hell of a lot more enjoyable than being abused by their old school coach on it. What I like about the film is that the football players aren’t your stereotypical jocks, they get over the top treatment but they aren’t complete jackass’s, in fact they’re extremely likeable and worth rooting for. It’s a film about the pressure put on varsity players, their treated as kings and put on a pedestal. They end up becoming misguided and when football is taken away from them, they don’t know what’s next. I’ve always been aware of the sporting culture in America and I think it’s great but at high school level, a kids gotta’ have fun and this film captures a bit of that message. Only to schools with shitty coaches that is. Paul Walker doesn’t have the main role but it’s a film he can be proud of playing the eventually injured quarter back star.
The third installment of the Iron-Man series directed by Shane Black gives us a vulnerable Tony Stark post Avengers. Still hung up on the New York attacks not too long ago, Stark suffers from anxiety attacks and insomnia. His obsession with the Iron Man suits hits new heights as he restlessly tinkers left with an excess of suits. Creating fear in the eyes of the American public is newly established villain The Mandarin, who has bombed countless locations with the aim of exposing America’s corruption. His next bomb puts Happy Hogan former Stark bodyguard into hospital. Rashly giving away his home address to the media and ultimately The Mandarin, Stark may have just created new demons.
What I like about the Iron Man series so far is that in each film Tony Stark grows as a person. We see him develop as the films pass which ultimately keeps him interesting and engaging as a character. No doubt he is probably the most popular Avengers character so far just because he fails to get boring. In the first film we see him experience a traumatic kidnapping which opens his eyes to the business he’s in. It pushes him to change his moral values and his business ethics in order to prevent world violence. Creating the Iron Man helps him make up for years of bad business but also to protect him from the villains he has. Iron Man 2 exposes an over confident Stark, he feels immortal to danger and is ignorant to the thought of others greater than him. He’s invented an even bigger rock star persona which leads him to alcoholism. The pain beneath that hard exterior. Once realizing that there are people with special abilities just as powerful as Iron Man he is brought back down to reality. To become a respectable hero he must put others in front of himself, which is concluded in The Avengers film.
In this third installment Tony Stark is in the process of having a fresh start but first he must overcome his anxiety. The alien attack has affected Stark more than you would expect as living in a world which he once knew is now absolute. He learns that the suit doesn’t define him but he defines the suit. It takes a while but his revelation helps rid of the anxiety and tackle his demons head on. Shane Black freshens up the Iron Man series with a much more engaging sequel where Stark is glorified and not the suit. The action is better and so is the comedy.
I think the prospect of having The Mandarin in this film was a huge turn on for all the fan boys out there since he is one of Iron Man’s main enemies. He is also one of the more interesting ones. In the comics he gets hold of these alien rings which he spends most of his early years trying to master. He eventually figures them out and is able to use each ring for different things, for example ice blasts, fire blasts, mind manipulation, electromagnetic rays, disintegration beam, black light, etc. Cool things like that. From the trailer, personally I was freaking excited at the idea of this villain, and I had no knowledge of him at all. He had a menacing voice, genuine look to him and he was being played by Ben Kingsley. I’ll be honest I didn’t do too much research into the villain before going in which is why when we see that Ben Kingsley is actually just a decoy for Guy Pearce’s character I wasn’t too disappointed since for most of the film we just see him sit and talk. He looked cool but we don’t see him do anything impressive. Of course this wouldn’t have been a good thing for any fanboys. For me it was quite a shock but also hilarious. After researching his abilities I think it’s a villain wasted but it didn’t harm the film in any way.
Guy Pearce is always a joy to watch on screen, he’s especially slick, coy and menacing as Aldrich Killian. He is of course the demon Stark makes 13 odd years ago when he ditches him at the roof of a hotel. Killian reinvents himself into successful business man at AIM. He invests into a human regrowth program called Extremis which is anything but stable. As a villain, he’s nothing new, we’ve all seen these pompous, well dressed villains on the screen before, which is another reason why decoying The Mandarin was a miss. But then again he does breath fire.
The lead up to the big boss showdown was great, we see Tony use his wits and mechanical brain to save the day with little help from the suits. Of course they come in handy at the end. What I thought the past films lacked was a good Iron Man vs Villain showdown. This film had a great build up, some good sequences but at the end of the day Iron Man didn’t have the last punch. It just felt off and annoyed me a little that Pepper was the one that ultimately finished Killian off. I mean I can get over it but I just didn’t see the appeal and any reason for it. We go to Iron Man films to see Iron Man beat the shit out of the villains not Pepper. Also when Killian reveals him self as the Mandarin, we don’t really believe in it. It’s not the awesome reveal that I think it intended to be.
For an action film this is definitely a must watch. The sequences may not be anything groundbreaking but they definitely get out hearts racing. From the destructive attack on Tony’s home to the Airplane explosion. Definitely the best action film you will see this year. We get to see heaps of different suits that Stark has made during his anxiety period, their utilized in new ways and have new tech which makes for entertaining sequences when they are on the screen.
One thing that I wont forget from this film is its great theme tune. Past marvel films really lack a good theme song or one that fits. Once the credits hit the screen and that tune started playing, it really gave Iron Man films a comic book film identity.
Overall for a comic book film its incredibly solid and rewatchable having seen it four times now. It has purpose, clear character growth, logical action sequences and enough destruction for us to be pleased with. It’s a great addition to the Iron Man series and would be an exceptional last.
Roze-Rating: 5 / 5
Roze-Rating: 4.5 / 5
Roze-Rating: 4 / 5
Roze-Rating: 4.5 / 5
The Popcorn Bandit 
